Is Rossini: Semiramide Worth Watching?
Answer: Maybe not, Rossini: Semiramide is likely a skip if you enjoy Music movies.
It features a runtime of 202 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Rossini: Semiramide is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Music genre.
Answer: Maybe not, Rossini: Semiramide is likely a skip if you enjoy Music movies.
It features a runtime of 202 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2018, Rossini: Semiramide emerges as a significant entry in the Music domain. The narrative core of the film focuses on a sophisticated exploration of A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Unlike standard genre fare, Rossini: Semiramide attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Barbara Willis Sweete, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Music elements serve the larger narrative arc rather than just providing spectacle.
The success of any Music is often anchored by its ensemble, and Rossini: Semiramide features a noteworthy lineup led by Angela Meade. Supported by the likes of Elizabeth DeShong and Ildar Abdrazakov, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Angela Meade, Elizabeth DeShong, Ildar Abdrazakov manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2018 cinema, these performances stand as a testament to the evolving standards of acting within the Music space.
From a technical perspective, Rossini: Semiramide is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Rossini: Semiramide follows a sophisticated deliberate pace. Over its 202 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. While some may find the extended runtime testing, the investment pays off for audiences who appreciate a narrative that isn`t afraid to breathe and explore its more nuanced corners.
Beyond its immediate entertainment value, Rossini: Semiramide resonates with contemporary social and cultural themes prevalent in the Music landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Rossini: Semiramide is more than just its synopsis. It is an inquiry into the boundaries of human experience. A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Rossini: Semiramide (2018) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Music categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Angela Meade, Elizabeth DeShong, Ildar Abdrazakov or the visual majesty of its technical execution, Rossini: Semiramide is a significant contribution to the cinema of 2018. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Rossini: Semiramide stands as a challenging project for the creators. It remains an essential piece of the 2018 cinematic year.
Rossini: Semiramide is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Rossini: Semiramide may not be worth watching unless you are a die-hard fan.
Rossini: Semiramide may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.