Verdict:Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Music genre.
Answer: Maybe not, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is likely a skip if you enjoy Music movies.
It features a runtime of 55 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in 2017, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 enters the Music genre with a narrative focused on Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Under the direction of Henning Kasten, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Katharina Magiera. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 resonates with current cultural themes in the Music space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 centers on a unique premise within the Music landscape. Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius. The second act serves as a major turning point, leading to a climax that fans of 2017 cinema will find fairly predictable.
The ending of Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 sequel or a wider cinematic universe are already gaining traction.
Final verdict for Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 (2017): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Music cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 may not be worth watching unless you are a die-hard fan.
Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 may not be worth watching unless you are a die-hard fan.
Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is a Music movie that follows: Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, ...
Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is classified as Music. We recommend checking the official age rating before watching with children.
Salzburg Festival 2017: Mozart, Requiem in D minor, K. 626 is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.
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