Verdict:Santiago das Américas ou o Olho do Terceiro Mundo is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, Santiago das Américas ou o Olho do Terceiro Mundo is likely a skip if you enjoy Documentary movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 2019, Santiago das Américas ou o Olho do Terceiro Mundo enters the Documentary genre with a narrative focused on In a small island convulsed by the 1959 revolution, Santiago Álvarez used the Seventh Art as a political weapon and created an aesthetic that became a reference in the documentary field. Under the direction of Silvio Tendler, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Orlando Senna. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Santiago das Américas ou o Olho do Terceiro Mundo offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, Santiago das Américas ou o Olho do Terceiro Mundo resonates with current cultural themes in the Documentary space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Santiago das Américas ou o Olho do Terceiro Mundo is available for streaming on Box Brazil Play Amazon Channel. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Santiago das Américas ou o Olho do Terceiro Mundo centers on a unique premise within the Documentary landscape. In a small island convulsed by the 1959 revolution, Santiago Álvarez used the Seventh Art as a political weapon and created an aesthetic that became a reference in the documentary field. Santiago, who called himself a permanent traveler through history, registered the most significant facts of his time, from the Cuban Revolution to the disintegration of the Soviet Block. He took to spectators from all continents a counterpoint to the history narrated by the United States Information Service, USIS. Through his works, we dive into the Cuban political and cultural scene, the tensions of Latin America, the Vietnam War, the countless conflicts for African independence, always with a peripheral look that is characteristic of his cinema, currently converted into a memory of a world in transformation. The second act serves as a major turning point, leading to a climax that fans of 2019 cinema will find fairly predictable.
The ending of Santiago das Américas ou o Olho do Terceiro Mundo has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Santiago das Américas ou o Olho do Terceiro Mundo sequel or a wider cinematic universe are already gaining traction.
Final verdict for Santiago das Américas ou o Olho do Terceiro Mundo (2019): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Documentary cinema who appreciate attention to detail.
Box Brazil Play Amazon ChannelAnalyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Santiago das Américas ou o Olho do Terceiro Mundo stands as a challenging project for the creators. It remains an essential piece of the 2019 cinematic year.
Santiago das Américas ou o Olho do Terceiro Mundo is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Santiago das Américas ou o Olho do Terceiro Mundo may not be worth watching unless you are a die-hard fan.
Santiago das Américas ou o Olho do Terceiro Mundo is currently available for streaming on Box Brazil Play Amazon Channel. You can also check for it on platforms like Box Brazil Play Amazon Channel depending on your region.
Santiago das Américas ou o Olho do Terceiro Mundo is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Santiago das Américas ou o Olho do Terceiro Mundo may not be worth watching unless you are a die-hard fan.
Santiago das Américas ou o Olho do Terceiro Mundo is currently available for streaming on Box Brazil Play Amazon Channel. You can also check for it on platforms like Box Brazil Play Amazon Channel depending on your region.
Santiago das Américas ou o Olho do Terceiro Mundo is a Documentary movie that follows: In a small island convulsed by the 1959 revolution, Santiago Álvarez used the Seventh Art as a political weapon and created an aesthetic that became a reference in the documentary field. Santiago, who...
Santiago das Américas ou o Olho do Terceiro Mundo is classified as Documentary. We recommend checking the official age rating before watching with children.
Santiago das Américas ou o Olho do Terceiro Mundo is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
In a small island convulsed by the 1959 revolution, Santiago Álvarez used the Seventh Art as a political weapon and created an aesthetic that became a reference in the documentary field. Santiago, who called himself a permanent traveler through history, registered the most significant facts of his time, from the Cuban Revolution to the disintegration of the Soviet Block. He took to spectators from all continents a counterpoint to the history narrated by the United States Information Service, USIS. Through his works, we dive into the Cuban political and cultural scene, the tensions of Latin America, the Vietnam War, the countless conflicts for African independence, always with a peripheral look that is characteristic of his cinema, currently converted into a memory of a world in transformation.
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