Sasquatch Sunset
Performance & Direction: Sasquatch Sunset Review
Last updated: February 16, 2026
Quick Verdict: Hit or Flop?
Is Sasquatch Sunset (2024) worth watching? According to our cinematic analysis, the film stands as a ABOVE AVERAGE with a verified audience rating of 5.7/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Fantasy.
Cast Performances: A Masterclass
The success of any Fantasy is often anchored by its ensemble, and Sasquatch Sunset features a noteworthy lineup led by Riley Keough . Supported by the likes of Jesse Eisenberg and Nathan Zellner , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Sasquatch Sunset
Quick Plot Summary: Released in 2024, Sasquatch Sunset is a Fantasy, Comedy film directed by David Zellner. The narrative transports viewers to imaginative worlds filled with magic, wonder, and epic adventures. This summary provides a scannable look at the movie's central conflict involving Riley Keough.
Ending Explained: Sasquatch Sunset
Ending Breakdown: Directed by David Zellner, Sasquatch Sunset attempts to tie together its various plot elements. The finale presents its approach to fantasy resolution.
The conclusion addresses the core thematic questions involving Riley Keough, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the fantasy themes established throughout the runtime.
The final moments of Sasquatch Sunset reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Sasquatch Sunset?
Consider Watching If:
- You're a completist for Fantasy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Box Office Collection: Sasquatch Sunset
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $897.7K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
Top Cast: Sasquatch Sunset
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Where to Watch Sasquatch Sunset Online?
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Fandango At HomeSasquatch Sunset Parents Guide & Age Rating
2024 AdvisoryWondering about Sasquatch Sunset age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Sasquatch Sunset is 89 minutes (1h 29m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.7/10, and global performance metrics, Sasquatch Sunset is classified as a ABOVE AVERAGE. It remains an essential part of the 2024 cinematic calendar.
Frequently Asked Questions
Is Sasquatch Sunset worth watching?
Sasquatch Sunset is definitely worth watching if you enjoy Fantasy movies. It has a verified rating of 5.7/10 and stands as a ABOVE AVERAGE in our box office analysis.
Where can I find Sasquatch Sunset parents guide and age rating?
The official parents guide for Sasquatch Sunset identifies it as R. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Sasquatch Sunset?
The total duration of Sasquatch Sunset is 89 minutes, which is approximately 1h 29m long.
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Critic Reviews for Sasquatch Sunset
Movies that provide us with an inside look at the lives of communities different from our own can show us just how much alike – and not alike – the constituencies of those cultures truly are from our own. It’s especially intriguing when such films cross species lines, examining societies of beings different from ourselves, an undertaking tackled in the latest project from the acting-writing-directing duo of David and Nathan Zellner. Known for such offbeat releases as “The Art of Self-Defense” (2019) and “Kumiko, The Treasure Hunter” (2014), this time out the filmmaking siblings present a documentary-style look at a year in the lives of a bigfoot family of four inhabiting the forests of Northern California. The camera follows them through a variety of everyday situations not unlike what we as humans go through, only in a totally different milieu. The film features an array of comedic and dramatic circumstances to which we can all undoubtedly relate, often on a very “earthy,” unrestrained level, involving activities in which we all engage but rarely talk about. Told in four acts, this release beautifully captures their experience of life in the woods, with exquisite visuals of Northwestern landscapes and diverse forest wildlife, along with curious, entirely natural expressions of individuals discovering the myriad elements of a world that they have come to believe is their own. But is it? As they come upon scenarios that are anomalous from what they have typically known, they must learn to adapt when evidence emerges that their world could be drastically changing – even vanishing – before their very eyes. In that sense, then, the film quietly delivers a strong environmental message (aptly timed for an Earth Day release) that we should heed in light of the unsettling experience of this picture’s unique protagonists. While the film’s sequences at times become somewhat repetitive and feature more than their share of undoubtedly base humor, this offering is nevertheless entertaining, clever and thought-provoking, enhanced by its stunning cinematography, emotive original score, and stellar makeup and prosthetics. Despite these assets, however, some have dismissively and capriciously compared this production to an extended Saturday Night Live sketch or a parody of the opening sequence of Stanley Kubrick’s “2001: A Space Odyssey” (1968). But those analogies unfairly sell this one short as a vehicle that will simultaneously make viewers both laugh and think. With an economical 1:28:00 runtime and a fine cast of actors portraying the quartet of uncannily prescient primates (Jesse Eisenberg, Riley Keough, Nathan Zellner, Christophe Zajac-Denek), “Sasquatch Sunset” makes an intriguing watch, provided that viewers give it a fair shake. Indeed, if we’re ever to reach a new level of understanding about those who are different from us and with whom we share this world, not to mention the impact we have on one another, we should make an effort to grasp what this offering is trying to tell us – while we still have the time to do so for both of us.
As a fan of the filmmaking brothers David and Nathan Zellner and their offbeat brand of humor and awkward storytelling style, I had much higher hopes for “Sasquatch Sunset” than I guess I should have. Disappointingly unfunny and too reliant on gross-out gags, this weird movie about the antics of a bigfoot family is a massive misfire on every level. This absurdist film is set up like a bad nature documentary, a strictly observational look at a year in the life of a sasquatch clan. There’s the alpha (Nathan Zellner), the female (Riley Keough), the male (Jesse Eisenberg), and the child (Christophe Zajac-Denek), and their existence is not all that interesting. They forage for food and explore the forest around them, with lots of sniffing, barking, farting, defecating, and scratching along the way. Even a fictional look at the day-to-day routine of a sasquatch brood quickly wears thin. Perhaps if the Zellners had gone with a more traditional mockumentary route, the movie wouldn’t feel so sluggish. There’s only so much the talented indie cast can do when their dialogue amounts to nothing more than a series of barks and grunts. Buried under layers of fur and makeup, the roles demand a lot of physicality, which would’ve worked far better with more slapstick gags. The script feels like it was written by 14 year old boys who wanted to include every single poop, pee, and sex joke they could dream up. It also isn’t a good sign that the majority of the time I was questioning whether or not something was supposed to be funny, as it was all so unclear. I do know one thing that was crystal, however: I never laughed. I found nothing to be humorous, just weird and gross (and for the Zellners, that’s saying something). The interesting thing about all of this is that while the movie isn’t compelling, I was still invested in the outcome. I wanted to know what happened to each of the creatures, even if their eventual fate is a bit of a letdown. The film teeters on the verge of being a total train wreck, yet I couldn’t seem to tear myself away. It’s not bad enough to walk out of, but it’s also not good enough nor enjoyable enough to recommend, which leaves “Sasquatch Sunset” in niche film purgatory. It begs the question, “who is the audience for this?“ By: Louisa Moore / SCREEN ZEALOTS
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










