Is Savage Worth Watching?
Answer: Maybe not, Savage is likely a skip if you enjoy Drama movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Savage is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.3/10, it has delivered a mixed experience for fans of the Drama, Thriller genre.
Answer: Maybe not, Savage is likely a skip if you enjoy Drama movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 14, 2026
Released in the dynamic cinematic landscape of 2011, Savage emerges as a significant entry in the Drama, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of There was a double homicide on the forgotten Swedish countryside several years ago. Unlike standard genre fare, Savage attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Martin Jern, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Savage features a noteworthy lineup led by Rolf Jarl. Supported by the likes of Sofie Karlsson and Michael Petersson, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Rolf Jarl, Sofie Karlsson, Michael Petersson manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2011 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Thriller space.
From a technical perspective, Savage is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Savage follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Savage resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.3/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Savage is more than just its synopsis. It is an inquiry into the complexity of relationships. There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Savage (2011) is overwhelmingly divisive. With an audience rating of 5.3/10 and strong performance metrics in the Drama, Thriller categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Rolf Jarl, Sofie Karlsson, Michael Petersson or the visual majesty of its technical execution, Savage is a significant contribution to the cinema of 2011. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Set within the thematic framework of the Drama, Thriller genre, Savage delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of Savage leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, Savage's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $900.0K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Savage is $900.0K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Analyzing the audience sentiment, IMDb rating of 5.3/10, and global collection metrics, Savage stands as a challenging project for the creators. It remains an essential piece of the 2011 cinematic year.
Savage has received mixed reviews with a 5.3/10 rating, making it a moderate success with the audience.
Savage is a mixed bag. It might be worth watching if you're a fan of Drama, Thriller movies, but read reviews first.
Savage may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village.