Is Scissor Worth Watching?
Answer: Maybe not, Scissor is likely a skip if you enjoy Crime movies.
It features a runtime of 75 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:Scissor is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Crime, Drama genre.
Answer: Maybe not, Scissor is likely a skip if you enjoy Crime movies.
It features a runtime of 75 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2016, Scissor emerges as a significant entry in the Crime, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Rama, a zealous sensitive youth of 28, has blinded his girlfriend in a fight with scissors. Unlike standard genre fare, Scissor attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Karim Lakzadeh, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Crime elements serve the larger narrative arc rather than just providing spectacle.
The success of any Crime is often anchored by its ensemble, and Scissor features a noteworthy lineup led by Abbas Ghazali. Supported by the likes of Sonia Sanjari and Soroush Sehhat, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Abbas Ghazali, Sonia Sanjari, Soroush Sehhat manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2016 cinema, these performances stand as a testament to the evolving standards of acting within the Crime, Drama space.
From a technical perspective, Scissor is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Scissor follows a sophisticated brisk pace. Over its 75 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Scissor resonates with contemporary social and cultural themes prevalent in the Crime landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Scissor is more than just its synopsis. It is an inquiry into the boundaries of human experience. Rama, a zealous sensitive youth of 28, has blinded his girlfriend in a fight with scissors. He is going to be sentenced to lex talionis (blinding of one of his eyes) in the court tomorrow. The night before the hearing, his influential father bails him out for one night by paying a lot of money, so Rama can be with his family the last night. But Rama has other plans. He takes the opportunity and helped by a friend, he goes to the south of Iran as a camera operator with a filming group to exit the country illegally. He makes a mistake and takes money from the bank and the police trace him. Rama pays money to some smugglers and they send him to a deserted island to wait for a launch that will take him abroad. Fate has something different in store for Rama and he falls for a pregnant woman on the island.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Scissor (2016) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Crime, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Abbas Ghazali, Sonia Sanjari, Soroush Sehhat or the visual majesty of its technical execution, Scissor is a significant contribution to the cinema of 2016. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Set within the thematic framework of the Crime, Drama genre, Scissor delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "Rama, a zealous sensitive youth of 28, has blinded his girlfriend in a fight with scissors. He is going to be sentenced to lex talionis (blinding of one of his eyes) in the court tomorrow. The night before the hearing, his influential father bails him out for one night by paying a lot of money, so Rama can be with his family the last night. But Rama has other plans. He takes the opportunity and helped by a friend, he goes to the south of Iran as a camera operator with a filming group to exit the country illegally. He makes a mistake and takes money from the bank and the police trace him. Rama pays money to some smugglers and they send him to a deserted island to wait for a launch that will take him abroad. Fate has something different in store for Rama and he falls for a pregnant woman on the island."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of Scissor leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, Scissor's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Scissor stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
Scissor is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Scissor may not be worth watching unless you are a die-hard fan.
Scissor may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Rama, a zealous sensitive youth of 28, has blinded his girlfriend in a fight with scissors. He is going to be sentenced to lex talionis (blinding of one of his eyes) in the court tomorrow. The night before the hearing, his influential father bails him out for one night by paying a lot of money, so Rama can be with his family the last night. But Rama has other plans. He takes the opportunity and helped by a friend, he goes to the south of Iran as a camera operator with a filming group to exit the country illegally. He makes a mistake and takes money from the bank and the police trace him. Rama pays money to some smugglers and they send him to a deserted island to wait for a launch that will take him abroad. Fate has something different in store for Rama and he falls for a pregnant woman on the island.