Is Screen Test 32 Worth Watching?
Answer: Maybe not, Screen Test 32 is likely a skip if you enjoy movies.
It features a runtime of 56 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Screen Test 32 is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, Screen Test 32 is likely a skip if you enjoy movies.
It features a runtime of 56 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2017, Screen Test 32 emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of Tomas Fuk is in for his screentest, with Martin Gajda. Unlike standard genre fare, Screen Test 32 attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of William Higgins, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and Screen Test 32 features a noteworthy lineup led by Martin Gajda. Supported by the likes of Martin Rezac and Jordan Lopez, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Martin Gajda, Martin Rezac, Jordan Lopez manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, Screen Test 32 is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Screen Test 32 follows a sophisticated brisk pace. Over its 56 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Screen Test 32 resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Screen Test 32 is more than just its synopsis. It is an inquiry into the boundaries of human experience. Tomas Fuk is in for his screentest, with Martin Gajda. They sit on the bed as Martin does a brief interview with Tomas. Then Martin gets things started by leaning over to kiss Tomas, who responds eagerly. Tomas gropes Martin's groin as they kiss. Then he takes his tee shirt off and Martin leans forward to kiss his chest. Martin Rezac agreed to a screentest, so we paired him with Pavel Smidl. They relax on the bed chatting and Martin explains that he wants to try everything with a guy. Pavel is happy to oblige and they soon start kissing and feeling each other. As they kiss they both remove their tee shirts and run hands all over each other. In Milan Major's Screentest we find him on the sofa, barechested, with Petr Zuska. Petr is kissing Milan and rubbing his chest. He also opens Milan's jeans. Milan takes off Petr's tee shirt and kisses his chest then helps him take down his jeans. Petr's cock is already hard as the jeans come off and Milan takes hold of it and wanks it.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Screen Test 32 (2017) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Martin Gajda, Martin Rezac, Jordan Lopez or the visual majesty of its technical execution, Screen Test 32 is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Screen Test 32 stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
Screen Test 32 is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Screen Test 32 may not be worth watching unless you are a die-hard fan.
Screen Test 32 may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Tomas Fuk is in for his screentest, with Martin Gajda. They sit on the bed as Martin does a brief interview with Tomas. Then Martin gets things started by leaning over to kiss Tomas, who responds eagerly. Tomas gropes Martin's groin as they kiss. Then he takes his tee shirt off and Martin leans forward to kiss his chest. Martin Rezac agreed to a screentest, so we paired him with Pavel Smidl. They relax on the bed chatting and Martin explains that he wants to try everything with a guy. Pavel is happy to oblige and they soon start kissing and feeling each other. As they kiss they both remove their tee shirts and run hands all over each other. In Milan Major's Screentest we find him on the sofa, barechested, with Petr Zuska. Petr is kissing Milan and rubbing his chest. He also opens Milan's jeans. Milan takes off Petr's tee shirt and kisses his chest then helps him take down his jeans. Petr's cock is already hard as the jeans come off and Milan takes hold of it and wanks it.