Is Scythe Hitting Stone Worth Watching?
Answer: Maybe not, Scythe Hitting Stone is likely a skip if you enjoy Drama movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Scythe Hitting Stone is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 3.6/10, it has delivered a mixed experience for fans of the Drama, Comedy genre.
Answer: Maybe not, Scythe Hitting Stone is likely a skip if you enjoy Drama movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2017, Scythe Hitting Stone emerges as a significant entry in the Drama, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Russia in 2000. Unlike standard genre fare, Scythe Hitting Stone attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Anja Kreis, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Scythe Hitting Stone features a noteworthy lineup led by Aleksey Solonchev. Supported by the likes of Kseniya Kutepova and Alexey Chernykh, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Aleksey Solonchev, Kseniya Kutepova, Alexey Chernykh manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Comedy space.
From a technical perspective, Scythe Hitting Stone is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Scythe Hitting Stone follows a sophisticated brisk pace. Over its 79 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Scythe Hitting Stone resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 3.6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Scythe Hitting Stone is more than just its synopsis. It is an inquiry into the complexity of relationships. Russia in 2000. The end of the post-Soviet era. The province of Ivanovo. The Mironovich family keeps a wake: their youngest son Andrej died in the war. His older brother Anton meets Andrej's last wish: He drives his motorcycle through the city at sunrise. Meanwhile, in love with Anton Vika is raped after the disco. Her mother commits a senseless murder at home. There are no guilty parties.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Scythe Hitting Stone (2017) is overwhelmingly negative. With an audience rating of 3.6/10 and strong performance metrics in the Drama, Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Aleksey Solonchev, Kseniya Kutepova, Alexey Chernykh or the visual majesty of its technical execution, Scythe Hitting Stone is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 3.6/10, and global collection metrics, Scythe Hitting Stone stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
Scythe Hitting Stone is considered a flop based on audience ratings of 3.6/10 and lower collections.
Based on the low rating of 3.6/10, Scythe Hitting Stone may not be worth watching unless you are a die-hard fan.
Scythe Hitting Stone may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Russia in 2000. The end of the post-Soviet era. The province of Ivanovo. The Mironovich family keeps a wake: their youngest son Andrej died in the war. His older brother Anton meets Andrej's last wish: He drives his motorcycle through the city at sunrise. Meanwhile, in love with Anton Vika is raped after the disco. Her mother commits a senseless murder at home. There are no guilty parties.