Is Send Me a Count Worth Watching?
Answer: Maybe not, Send Me a Count is likely a skip if you enjoy Comedy movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Send Me a Count is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.0/10, it has delivered a mixed experience for fans of the Comedy genre.
Answer: Maybe not, Send Me a Count is likely a skip if you enjoy Comedy movies.
It features a runtime of 87 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1959, Send Me a Count emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of The burglar Karl Kilian Ledig tries to get his somewhat reluctant son Carl Gustaf interested in his "profession". Unlike standard genre fare, Send Me a Count attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Torgny Anderberg, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Send Me a Count features a noteworthy lineup led by Carl-Gustaf Lindstedt. Supported by the likes of Sigge Fürst and Ulla-Carin Rydén, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Carl-Gustaf Lindstedt, Sigge Fürst, Ulla-Carin Rydén manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1959 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy space.
From a technical perspective, Send Me a Count is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Send Me a Count follows a sophisticated brisk pace. Over its 87 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Send Me a Count resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Send Me a Count is more than just its synopsis. It is an inquiry into the boundaries of human experience. The burglar Karl Kilian Ledig tries to get his somewhat reluctant son Carl Gustaf interested in his "profession". He bring him along one evening to the sculpture Ulla-Carin von Knaake's house to break in and steal from her safe. Complications arise when Ulla-Carin and some of her friends unexpectedly come home and she imagines that Carl Gustaf is a model she has hired from a model agency.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Send Me a Count (1959) is overwhelmingly divisive. With an audience rating of 5/10 and strong performance metrics in the Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Carl-Gustaf Lindstedt, Sigge Fürst, Ulla-Carin Rydén or the visual majesty of its technical execution, Send Me a Count is a significant contribution to the cinema of 1959. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
CultpixAnalyzing the audience sentiment, IMDb rating of 5/10, and global collection metrics, Send Me a Count stands as a challenging project for the creators. It remains an essential piece of the 1959 cinematic year.
Send Me a Count has received mixed reviews with a 5/10 rating, making it a moderate success with the audience.
Send Me a Count is a mixed bag. It might be worth watching if you're a fan of Comedy movies, but read reviews first.
Send Me a Count is currently available for streaming on Cultpix. You can also check for it on platforms like Cultpix depending on your region.
The burglar Karl Kilian Ledig tries to get his somewhat reluctant son Carl Gustaf interested in his "profession". He bring him along one evening to the sculpture Ulla-Carin von Knaake's house to break in and steal from her safe. Complications arise when Ulla-Carin and some of her friends unexpectedly come home and she imagines that Carl Gustaf is a model she has hired from a model agency.