Is Sinatra Worth Watching?
Answer: Maybe not, Sinatra is likely a skip if you enjoy Comedy movies.
It features a runtime of 112 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Sinatra is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.0/10, it has delivered a mixed experience for fans of the Comedy, Drama genre.
Answer: Maybe not, Sinatra is likely a skip if you enjoy Comedy movies.
It features a runtime of 112 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1988, Sinatra emerges as a significant entry in the Comedy, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. Unlike standard genre fare, Sinatra attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Francesc Betriu, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Sinatra features a noteworthy lineup led by Alfredo Landa. Supported by the likes of Ana Obregón and Maribel Verdú, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Alfredo Landa, Ana Obregón, Maribel Verdú manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1988 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Drama space.
From a technical perspective, Sinatra is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Sinatra follows a sophisticated brisk pace. Over its 112 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Sinatra resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Sinatra is more than just its synopsis. It is an inquiry into the boundaries of human experience. Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Sinatra (1988) is overwhelmingly divisive. With an audience rating of 5/10 and strong performance metrics in the Comedy, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Alfredo Landa, Ana Obregón, Maribel Verdú or the visual majesty of its technical execution, Sinatra is a significant contribution to the cinema of 1988. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
FlixOléAnalyzing the audience sentiment, IMDb rating of 5/10, and global collection metrics, Sinatra stands as a challenging project for the creators. It remains an essential piece of the 1988 cinematic year.
Sinatra has received mixed reviews with a 5/10 rating, making it a moderate success with the audience.
Sinatra is a mixed bag. It might be worth watching if you're a fan of Comedy, Drama movies, but read reviews first.
Sinatra is currently available for streaming on FlixOlé. You can also check for it on platforms like FlixOlé depending on your region.
Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.