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Small, Slow But Steady movie poster - Small, Slow But Steady review and rating on movieMx
202299 minDrama

Small, Slow But Steady

Is Small, Slow But Steady a Hit or Flop?

HIT

Is Small, Slow But Steady worth watching? With a rating of 7/10, this Drama film is a must-watch hit for fans of the genre. Read on for our detailed analysis and user reviews.

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Small, Slow But Steady Synopsis

A hearing-impaired woman with dreams of becoming a professional boxer due to the pandemic is threatened closure of her boxing club and the illness of its ageing president, who has been her biggest supporter, push her to the limit.

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Top Cast

Yukino Kishii
Yukino KishiiKeiko Ogawa
Tomokazu Miura
Tomokazu MiuraKatsumi Sasaki
Masaki Miura
Masaki MiuraMakoto Hayashi
Shinichiro Matsuura
Shinichiro MatsuuraShintaro Matsumoto
Himi Sato
Himi SatoSeiji Ogawa
Hiroko Nakajima
Hiroko NakajimaKiyomi Ogawa
Nobuko Sendo
Nobuko SendoChiharu Sasaki
Nana Nakahara
Nana NakaharaHana
Tomomitsu Adachi
Tomomitsu AdachiReporter
Yutaka Shimizu
Yutaka ShimizuPolice officer

Official Trailer

Frequently Asked Questions

Is Small, Slow But Steady worth watching?

Yes, Small, Slow But Steady is definitely worth watching! With a rating of 7/10, it's highly recommended for fans of Drama movies.

Is Small, Slow But Steady hit or flop?

Based on audience ratings (7/10), Small, Slow But Steady is considered a hit among viewers.

What genre is Small, Slow But Steady?

Small, Slow But Steady is a Drama movie that A hearing-impaired woman with dreams of becoming a professional boxer due to the pandemic is threatened closure of her boxing club and the illness of ...

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Critic Reviews

CinemaSerfSep 19, 2025
★ 7

The deaf young “Keiko” (Yukino Kishii) has been taking comfort from her boxing since she was a child and already has two competitive bouts under her belt. With a constant stream of urban racket surrounding her, she lives in a world of silence where her only sounds are those imaginary ones created within her head. With her next competition looming, she learns that change is coming. Her fiercest critic; long-term supporter and ageing boss of her soon to close down gym (Tomokazu Miura) is suffering from failing health and as he loses his sight she must reconcile that she is to lose that oasis that has sustained and inspired her for so long. “Keiko” is not without her demons, and now facing some profound changes to her established routine, she must try to come to terms with her previous decisions and with how they should (or shouldn’t) shape her future. This is set at a time when COVID was rampant, so her abilities to lip-read are curtailed by the mask-wearing population rendering her even more isolated amidst a community who see no visible impairment and so leap to ill-informed judgements about a woman whose abilities to express herself in the more conventional methods are restricted - and Kishii delivers a really quite poignant performance here. Her characterisation of a woman confident, after a fashion, only in the ring but otherwise cutting a shy and almost reticent figure in the real world is touching - but not sentimentally. You can empathise with the difficulties of her efforts to thrive in a world where her disability sets her apart, but I never felt sorry for her. She has a decency to her that she is loathe to compromise despite her limiting options and her dead-end job as a cleaner is not going to be her future. As she seeks out a new place to train we discover that she is not a woman to be willingly constrained by any sense of “comfort zone” and with some intimate photography throughout, we get a slight sense of being under her skin just as she begins to engagingly get under ours. It’s a slow burn, and it’s an incomplete documentary-style look at this crossroads in her life - but I found that just added to the authenticity as her story continues unfolds before us revealing elements of her tenacity and showcasing societal attitudes that are complicated.