Is Splatter Worth Watching?
Answer: Maybe not, Splatter is likely a skip if you enjoy Horror movies.
It features a runtime of 29 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Splatter is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 2.9/10, it has delivered a mixed experience for fans of the Horror genre.
Answer: Maybe not, Splatter is likely a skip if you enjoy Horror movies.
It features a runtime of 29 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2009, Splatter emerges as a significant entry in the Horror domain. The narrative core of the film focuses on a sophisticated exploration of After self-righteous rockstar Johnny Splatter puts a bullet in his own head, only five people are chosen to attend the reading of his will: the manager, the shrink, the guitarist, the lover, and the groupie. Unlike standard genre fare, Splatter attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Joe Dante, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Horror elements serve the larger narrative arc rather than just providing spectacle.
The success of any Horror is often anchored by its ensemble, and Splatter features a noteworthy lineup led by Corey Feldman. Supported by the likes of Mark Alan and Tony Todd, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Corey Feldman, Mark Alan, Tony Todd manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2009 cinema, these performances stand as a testament to the evolving standards of acting within the Horror space.
From a technical perspective, Splatter is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Splatter follows a sophisticated brisk pace. Over its 29 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Splatter resonates with contemporary social and cultural themes prevalent in the Horror landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 2.9/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Splatter is more than just its synopsis. It is an inquiry into the boundaries of human experience. After self-righteous rockstar Johnny Splatter puts a bullet in his own head, only five people are chosen to attend the reading of his will: the manager, the shrink, the guitarist, the lover, and the groupie. Will they get what they came for, or what Splatter thinks they deserve?
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Splatter (2009) is overwhelmingly negative. With an audience rating of 2.9/10 and strong performance metrics in the Horror categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Corey Feldman, Mark Alan, Tony Todd or the visual majesty of its technical execution, Splatter is a significant contribution to the cinema of 2009. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Netflix
Netflix Standard with AdsAnalyzing the audience sentiment, IMDb rating of 2.9/10, and global collection metrics, Splatter stands as a challenging project for the creators. It remains an essential piece of the 2009 cinematic year.
Splatter is considered a flop based on audience ratings of 2.9/10 and lower collections.
Based on the low rating of 2.9/10, Splatter may not be worth watching unless you are a die-hard fan.
Splatter is currently available for streaming on Netflix. You can also check for it on platforms like Netflix, Netflix Standard with Ads depending on your region.
After self-righteous rockstar Johnny Splatter puts a bullet in his own head, only five people are chosen to attend the reading of his will: the manager, the shrink, the guitarist, the lover, and the groupie. Will they get what they came for, or what Splatter thinks they deserve?