Is Stopped Making Excuses Worth Watching?
Answer: Maybe not, Stopped Making Excuses is likely a skip if you enjoy Documentary movies.
It features a runtime of 12 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Stopped Making Excuses is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Maybe not, Stopped Making Excuses is likely a skip if you enjoy Documentary movies.
It features a runtime of 12 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 2016, Stopped Making Excuses emerges as a significant entry in the Documentary domain. The narrative core of the film focuses on a sophisticated exploration of What follows is a candid look at the Pittsburgh native’s past six years, starting with his ascent, when he was 19, as a popular but critically panned rapper. Unlike standard genre fare, Stopped Making Excuses attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Rob Semmer, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and Stopped Making Excuses features a noteworthy lineup led by Mac Miller. Supported by the likes of Quentin Cuff and Jimmy Murton, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Mac Miller, Quentin Cuff, Jimmy Murton manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2016 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary space.
From a technical perspective, Stopped Making Excuses is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Stopped Making Excuses follows a sophisticated brisk pace. Over its 12 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Stopped Making Excuses resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Stopped Making Excuses is more than just its synopsis. It is an inquiry into the boundaries of human experience. What follows is a candid look at the Pittsburgh native’s past six years, starting with his ascent, when he was 19, as a popular but critically panned rapper. “I was an easy target. I admit that,” he says now. “It became one of those things where I got so much negativity that it almost became, like, ‘There’s no point to overly hate on this dude, let me look in and see what he’s doing.’ And when you look in, there’s some good music there.” Following his 2011 debut album, Billboard's first independently released No.1 in over a decade, Mac moved to Los Angeles, where it seemed to many he was thriving. That’s where Andrew Nosnitsky met him for Mac Miller's 2013 The FADER cover story, and where he played an endearing role in Earl Sweatshirt’s cover too.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Stopped Making Excuses (2016) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Documentary categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Mac Miller, Quentin Cuff, Jimmy Murton or the visual majesty of its technical execution, Stopped Making Excuses is a significant contribution to the cinema of 2016. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Stopped Making Excuses stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
Stopped Making Excuses is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Stopped Making Excuses may not be worth watching unless you are a die-hard fan.
Stopped Making Excuses may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
What follows is a candid look at the Pittsburgh native’s past six years, starting with his ascent, when he was 19, as a popular but critically panned rapper. “I was an easy target. I admit that,” he says now. “It became one of those things where I got so much negativity that it almost became, like, ‘There’s no point to overly hate on this dude, let me look in and see what he’s doing.’ And when you look in, there’s some good music there.” Following his 2011 debut album, Billboard's first independently released No.1 in over a decade, Mac moved to Los Angeles, where it seemed to many he was thriving. That’s where Andrew Nosnitsky met him for Mac Miller's 2013 The FADER cover story, and where he played an endearing role in Earl Sweatshirt’s cover too.