Is Straw Bells Worth Watching?
Answer: Maybe not, Straw Bells is likely a skip if you enjoy Drama movies.
It features a runtime of 144 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Straw Bells is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, War genre.
Answer: Maybe not, Straw Bells is likely a skip if you enjoy Drama movies.
It features a runtime of 144 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1987, Straw Bells emerges as a significant entry in the Drama, War domain. The narrative core of the film focuses on a sophisticated exploration of Vasyl Vilgota raised two sons. Unlike standard genre fare, Straw Bells attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Yurii Illienko, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Straw Bells features a noteworthy lineup led by Les Serdyuk. Supported by the likes of Serhiy Pidhornyi and Pylyp Illienko, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Les Serdyuk, Serhiy Pidhornyi, Pylyp Illienko manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1987 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, War space.
From a technical perspective, Straw Bells is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Straw Bells follows a sophisticated deliberate pace. Over its 144 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Straw Bells resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Straw Bells is more than just its synopsis. It is an inquiry into the complexity of relationships. Vasyl Vilgota raised two sons. One of them died on the fronts of the Second World War, defending the homeland, and the second served as Hilfspolizei. Vilgota himself also helped the Nazis. Although he carefully hides this fact of his biography, there is one man who knows the truth about him.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Straw Bells (1987) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama, War categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Les Serdyuk, Serhiy Pidhornyi, Pylyp Illienko or the visual majesty of its technical execution, Straw Bells is a significant contribution to the cinema of 1987. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Straw Bells stands as a challenging project for the creators. It remains an essential piece of the 1987 cinematic year.
Straw Bells is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Straw Bells may not be worth watching unless you are a die-hard fan.
Straw Bells may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Vasyl Vilgota raised two sons. One of them died on the fronts of the Second World War, defending the homeland, and the second served as Hilfspolizei. Vilgota himself also helped the Nazis. Although he carefully hides this fact of his biography, there is one man who knows the truth about him.