Is Sweets Worth Watching?
Answer: Maybe not, Sweets is likely a skip if you enjoy Comedy movies.
It features a runtime of 132 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:Sweets is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.2/10, it has delivered a mixed experience for fans of the Comedy, Crime, Drama genre.
Answer: Maybe not, Sweets is likely a skip if you enjoy Comedy movies.
It features a runtime of 132 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2013, Sweets emerges as a significant entry in the Comedy, Crime, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Salah, an Israeli-Arab enterpriser, strives to bring happiness for the children of the Arab sector in Israel by opening a new chain of candy stores. Unlike standard genre fare, Sweets attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Joseph Pitchhadze, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Sweets features a noteworthy lineup led by Moni Moshonov. Supported by the likes of Menashe Noy and Makram J. Khoury, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Moni Moshonov, Menashe Noy, Makram J. Khoury manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2013 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Crime, Drama space.
From a technical perspective, Sweets is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Sweets follows a sophisticated deliberate pace. Over its 132 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Sweets resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.2/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Sweets is more than just its synopsis. It is an inquiry into the boundaries of human experience. Salah, an Israeli-Arab enterpriser, strives to bring happiness for the children of the Arab sector in Israel by opening a new chain of candy stores. 'The Firm', an Israeli corporation headed by Klausner , that controls Israeli candy market, resent Salah on his former business move - taking control over the Israeli market of Turkish coffee. Klausner sees the new business initiative of Salah as a real threat, not only a business one but also a cultural and a political one, even a real challenge against Zionism itself. In a disguise of a Business struggle the story reveals moral dilemmas and a cultural struggle: the Arab businessman trying to integrate in Modern Israel against the dominant Zionist culture.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Sweets (2013) is overwhelmingly divisive. With an audience rating of 5.2/10 and strong performance metrics in the Comedy, Crime, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Moni Moshonov, Menashe Noy, Makram J. Khoury or the visual majesty of its technical execution, Sweets is a significant contribution to the cinema of 2013. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 5.2/10, and global collection metrics, Sweets stands as a challenging project for the creators. It remains an essential piece of the 2013 cinematic year.
Sweets has received mixed reviews with a 5.2/10 rating, making it a moderate success with the audience.
Sweets is a mixed bag. It might be worth watching if you're a fan of Comedy, Crime, Drama movies, but read reviews first.
Sweets may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Salah, an Israeli-Arab enterpriser, strives to bring happiness for the children of the Arab sector in Israel by opening a new chain of candy stores. 'The Firm', an Israeli corporation headed by Klausner , that controls Israeli candy market, resent Salah on his former business move - taking control over the Israeli market of Turkish coffee. Klausner sees the new business initiative of Salah as a real threat, not only a business one but also a cultural and a political one, even a real challenge against Zionism itself. In a disguise of a Business struggle the story reveals moral dilemmas and a cultural struggle: the Arab businessman trying to integrate in Modern Israel against the dominant Zionist culture.