Verdict:Tarantino's Basterds: The Homeless Filmmakers of Hollywood is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Comedy genre.
Answer: Maybe not, Tarantino's Basterds: The Homeless Filmmakers of Hollywood is likely a skip if you enjoy Comedy movies.
It features a runtime of 123 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 2020, Tarantino's Basterds: The Homeless Filmmakers of Hollywood enters the Comedy genre with a narrative focused on Joe Black, Bumdog Torres, Per "Pit" Ingvar Tomren: all filmmakers, all cinephiles, all living on the streets of Hollywood. Under the direction of Bumdog Torres, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Joe Black. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Tarantino's Basterds: The Homeless Filmmakers of Hollywood offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. While the 4K mastering highlights the production value, the pacing during its 123-minute runtime can feel deliberate.
Beyond the narrative, Tarantino's Basterds: The Homeless Filmmakers of Hollywood resonates with current cultural themes in the Comedy space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Tarantino's Basterds: The Homeless Filmmakers of Hollywood is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Tarantino's Basterds: The Homeless Filmmakers of Hollywood centers on a unique premise within the Comedy landscape. Joe Black, Bumdog Torres, Per "Pit" Ingvar Tomren: all filmmakers, all cinephiles, all living on the streets of Hollywood. A captivating glimpse into the bitter realities and sweet dreams of three men who refuse to give up in the pursuit of their dreams. The second act serves as a major turning point, leading to a climax that fans of 2020 cinema will find fairly predictable.
The ending of Tarantino's Basterds: The Homeless Filmmakers of Hollywood has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Tarantino's Basterds: The Homeless Filmmakers of Hollywood sequel or a wider cinematic universe are already gaining traction.
Final verdict for Tarantino's Basterds: The Homeless Filmmakers of Hollywood (2020): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Comedy cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Tarantino's Basterds: The Homeless Filmmakers of Hollywood stands as a challenging project for the creators. It remains an essential piece of the 2020 cinematic year.
Tarantino's Basterds: The Homeless Filmmakers of Hollywood is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Tarantino's Basterds: The Homeless Filmmakers of Hollywood may not be worth watching unless you are a die-hard fan.
Tarantino's Basterds: The Homeless Filmmakers of Hollywood may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Tarantino's Basterds: The Homeless Filmmakers of Hollywood is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Tarantino's Basterds: The Homeless Filmmakers of Hollywood may not be worth watching unless you are a die-hard fan.
Tarantino's Basterds: The Homeless Filmmakers of Hollywood may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Tarantino's Basterds: The Homeless Filmmakers of Hollywood is a Comedy movie that follows: Joe Black, Bumdog Torres, Per "Pit" Ingvar Tomren: all filmmakers, all cinephiles, all living on the streets of Hollywood. A captivating glimpse into the bitter realities and sweet dreams of three men...
Yes, Tarantino's Basterds: The Homeless Filmmakers of Hollywood is generally suitable for family viewing as it is a Comedy movie.
Tarantino's Basterds: The Homeless Filmmakers of Hollywood is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Joe Black, Bumdog Torres, Per "Pit" Ingvar Tomren: all filmmakers, all cinephiles, all living on the streets of Hollywood. A captivating glimpse into the bitter realities and sweet dreams of three men who refuse to give up in the pursuit of their dreams.
Tarantino’s Basterds: The Homeless Filmmakers of Hollywood “...This is where I should be. If I want to make movies in Hollywood I should live on the streets.” - Per “Pit” Ingvar Tomren Joe Black, Bumdog Torres, Per "Pit" Ingvar Tomren: all filmmakers, all cinephiles, all living on the streets of Hollywood. They are each either obsessed or influenced by Quentin Tarantino in some way. Hence “Tarantino’s Basterds”, Pit and Torres hawk their films and merch outside of the Tarantino owned New Beverly Cinema. Using the funds raised not only to eat and survive but to produce their own films. Black has over 14 feature length films to his name, Pit has two, Torres has one. Now this movie is presented as a “meta-mockumentary” so trying to decipher what is totally true and what is movie fiction is nearly impossible. I do know Bumdog Torres is an actual homeless man, we’ve been friends for years and his photography series and books have acclaim in real life. I am not totally sure about Joe Black or Pit. But the truth is, it doesn’t really matter. The story is naturally gripping and trying to determine what’s real and what is not is a worthless endeavor. It’s inspiring to see how these artists keep this dream alive. Steeped in pure irony. These men sleep on benches advertising Tarantino’s newest feature “Once Upon A Time In...Hollywood”, settle down for a sandwich under Mr.Robot billboards or film an interview under a massive “First Man” banner. These are movies and productions with budgets that run into the hundreds of millions of dollars, employ thousands of people and take years to make. In one segment a conversation goes something like this Torres: How much did your last movie cost? Black: Six hundred bucks and from writing to release it was done in 28 days. Continuing the deep irony, these guys are selling their movies outside of art house theaters. Here is a source of such a deeply rooted, beyond underground, untapped well of independent art at its most pure and gritty and these lines of patrons pay them no mind, let alone money. There are 30 people in line for a 35mm John Cassavettes film festival and not one of them will look up from their phones. Cassavettes would be ashamed. The most beautiful thing about this “meta-mockumentary” is we see how fucked these guys really are living on the streets- artists or not, is no paradise, but their love for eachother and their craft gives them a purpose. A reason to stay alive, a reason to keep trying. It’s truly a modern day folk tale. There goes Bumdog the homeless filmmaker pushing his cart and oh there's Pit rolling away on his wheelchair with custom “Once Upon A Time In...Hollywood” rims. This movie is impressive not solely because it was made by homeless artists, it’s impressive because it’s just a good film. With a two hour runtime that examines more than a love for film, but a passion for life, traveling, photography, and philosophy. I also love that no one points a finger at anyone else for being homeless, these guys know what got them there whether by choice or bad luck. I’m not exactly sure how you can get your hands on a copy of this. Being friends with the director helped me, but if you look @bumdogtorres up on IG shoot him a message.
