Is Ten Worth Watching?
Answer: Maybe not, Ten is likely a skip if you enjoy Drama movies.
It features a runtime of 10 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Ten is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 2.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Ten is likely a skip if you enjoy Drama movies.
It features a runtime of 10 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 14, 2026
Released in the dynamic cinematic landscape of 2017, Ten emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of One little guy decided to meet Prince Charming, and then there were two. Unlike standard genre fare, Ten attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Franck Villette, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Ten features a noteworthy lineup led by Stanislas Briche. Supported by the likes of Laurent Cotillard and Mike Fédée, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Stanislas Briche, Laurent Cotillard, Mike Fédée manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Ten is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Ten follows a sophisticated brisk pace. Over its 10 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Ten resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 2/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Ten is more than just its synopsis. It is an inquiry into the complexity of relationships. One little guy decided to meet Prince Charming, and then there were two. There were two, and three, and up to ten. Till the day when ten little friends came together again. One of them met the wrong kind of person, and then there were nine. Nine little friends.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Ten (2017) is overwhelmingly negative. With an audience rating of 2/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Stanislas Briche, Laurent Cotillard, Mike Fédée or the visual majesty of its technical execution, Ten is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Set within the thematic framework of the Drama genre, Ten delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "One little guy decided to meet Prince Charming, and then there were two. There were two, and three, and up to ten. Till the day when ten little friends came together again. One of them met the wrong kind of person, and then there were nine. Nine little friends."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of Ten leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, Ten's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.
Analyzing the audience sentiment, IMDb rating of 2/10, and global collection metrics, Ten stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
Ten is considered a flop based on audience ratings of 2/10 and lower collections.
Based on the low rating of 2/10, Ten may not be worth watching unless you are a die-hard fan.
Ten may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
One little guy decided to meet Prince Charming, and then there were two. There were two, and three, and up to ten. Till the day when ten little friends came together again. One of them met the wrong kind of person, and then there were nine. Nine little friends.