The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images Synopsis
A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.
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Is The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images worth watching?
The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images has received mixed reviews with a 6.6/10 rating. It might be worth watching if you're a fan of Documentary movies.
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The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images has received average ratings (6.6/10), performing moderately with audiences.
What genre is The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images?
The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images is a Documentary movie that A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave ...
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