Is The Chosen Ones Worth Watching?
Answer: Maybe not, The Chosen Ones is likely a skip if you enjoy TV Movie movies.
It features a runtime of 89 minutes and offers a standard storyline that appeals to general audiences.

Verdict:The Chosen Ones is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.1/10, it has delivered a mixed experience for fans of the TV Movie, Drama genre.
Answer: Maybe not, The Chosen Ones is likely a skip if you enjoy TV Movie movies.
It features a runtime of 89 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 2014, The Chosen Ones emerges as a significant entry in the TV Movie, Drama domain. The narrative core of the film focuses on a sophisticated exploration of In the late 70s, young Petra Grust begins teaching at the progressive Odenwald School. Unlike standard genre fare, The Chosen Ones attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Christoph Röhl, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the TV Movie elements serve the larger narrative arc rather than just providing spectacle.
The success of any TV Movie is often anchored by its ensemble, and The Chosen Ones features a noteworthy lineup led by Julia Jentsch. Supported by the likes of Ulrich Tukur and Johanna Gastdorf, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Julia Jentsch, Ulrich Tukur, Johanna Gastdorf manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2014 cinema, these performances stand as a testament to the evolving standards of acting within the TV Movie, Drama space.
From a technical perspective, The Chosen Ones is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Chosen Ones follows a sophisticated brisk pace. Over its 89 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The Chosen Ones resonates with contemporary social and cultural themes prevalent in the TV Movie landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Chosen Ones is more than just its synopsis. It is an inquiry into the boundaries of human experience. In the late 70s, young Petra Grust begins teaching at the progressive Odenwald School. She is flattered by the trust placed in her by its widely respected headmaster Simon Pistorius. But gradually certain incidents at the boarding school begin to unsettle her. Petra then realizes that Pistorius is abusing Frank, a 13-year-old. When Frank is told that he has to spend school holidays with Pistorius, he tries to commit suicide. Petra tells Frank's father (the chairman of the school's governing body) but he believes Pistorius instead of his own son. Petra fails to convince people of the man's true nature. 30 years later, Frank goes to Petra, who has long since left the school and has stopped teaching altogether. He has never been able to speak about what happened but now, after the suicide of another pupil, he is no longer willing to remain silent. He wants Petra to bear witness at the school's forthcoming anniversary celebrations.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Chosen Ones (2014) is overwhelmingly divisive. With an audience rating of 5.1/10 and strong performance metrics in the TV Movie, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Julia Jentsch, Ulrich Tukur, Johanna Gastdorf or the visual majesty of its technical execution, The Chosen Ones is a significant contribution to the cinema of 2014. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 5.1/10, and global collection metrics, The Chosen Ones stands as a challenging project for the creators. It remains an essential piece of the 2014 cinematic year.
The Chosen Ones has received mixed reviews with a 5.1/10 rating, making it a moderate success with the audience.
The Chosen Ones is a mixed bag. It might be worth watching if you're a fan of TV Movie, Drama movies, but read reviews first.
The Chosen Ones may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The Chosen Ones has received mixed reviews with a 5.1/10 rating, making it a moderate success with the audience.
The Chosen Ones is a mixed bag. It might be worth watching if you're a fan of TV Movie, Drama movies, but read reviews first.
The Chosen Ones may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The Chosen Ones is a TV Movie, Drama movie that follows: In the late 70s, young Petra Grust begins teaching at the progressive Odenwald School. She is flattered by the trust placed in her by its widely respected headmaster Simon Pistorius. But gradually cer...
The Chosen Ones is classified as TV Movie, Drama. We recommend checking the official age rating before watching with children.
The Chosen Ones is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
In the late 70s, young Petra Grust begins teaching at the progressive Odenwald School. She is flattered by the trust placed in her by its widely respected headmaster Simon Pistorius. But gradually certain incidents at the boarding school begin to unsettle her. Petra then realizes that Pistorius is abusing Frank, a 13-year-old. When Frank is told that he has to spend school holidays with Pistorius, he tries to commit suicide. Petra tells Frank's father (the chairman of the school's governing body) but he believes Pistorius instead of his own son. Petra fails to convince people of the man's true nature. 30 years later, Frank goes to Petra, who has long since left the school and has stopped teaching altogether. He has never been able to speak about what happened but now, after the suicide of another pupil, he is no longer willing to remain silent. He wants Petra to bear witness at the school's forthcoming anniversary celebrations.
No reviews found for this filter.