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1981100 minDocumentary, Music

The Decline of Western Civilization

Is The Decline of Western Civilization a Hit or Flop?

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Is The Decline of Western Civilization worth watching? With a rating of 7.1/10, this Documentary, Music film is a must-watch hit for fans of the genre. Read on for our detailed analysis and user reviews.

7.1110 votes
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The Decline of Western Civilization Synopsis

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

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Top Cast

Eugene Tatu
Eugene TatuSelf
Alice Bag
Alice BagSelf
Claude Bessy
Claude BessySelf
Dinah Cancer
Dinah CancerSelf
Exene Cervenka
Exene CervenkaSelf
Lorna Doom
Lorna DoomSelf
Darby Crash
Darby CrashSelf
Don Bolles
Don BollesSelf
Philo Cramer
Philo CramerSelf
John Doe
John DoeSelf

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Frequently Asked Questions

Is The Decline of Western Civilization worth watching?

Yes, The Decline of Western Civilization is definitely worth watching! With a rating of 7.1/10, it's highly recommended for fans of Documentary, Music movies.

Is The Decline of Western Civilization hit or flop?

Based on audience ratings (7.1/10), The Decline of Western Civilization is considered a hit among viewers.

What genre is The Decline of Western Civilization?

The Decline of Western Civilization is a Documentary, Music movie that The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs...

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Critic Reviews

talisencrwJan 15, 2016
★ 9

Though I both am neither a punk aficionado (I have seen X live in Detroit in 2008) nor an expert on Spheeris' films (I have seen and enjoyed both 'Wayne's World' and 'Little Rascals'), this was very satisfying. The energy and spirit of these rebellious youths really comes across well, and the clever assertion from one of the interviewees that punk is simply another form of folk and protest music, albeit with different instruments and at a faster speed, rings true. Though I'm not privy to the Los Angeles scene (I'm from Windsor, Ontario, for crying out loud), it appears to be quite an accurate depiction, although it doesn't seem to grab hold, perhaps, of the underground movement. Seeing this, I look forward to the latter two parts of the trilogy, and only wish over the years that Spheeris had expanded her sights, and made documentaries of other, vital, forms of music in L.A., such as folk, hip-hop, rap, jazz, classical, experimental, even soundtrack work for films, since Hollywood is right nearby, and as someone already part of the filmmaking scene, she would have had access to some of the greats of our time.