Is The Decorator Worth Watching?
Answer: Yes, The Decorator is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 30 minutes and offers a standard storyline that appeals to general audiences.
Verdict:The Decorator is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the Comedy, TV Movie genre.
Answer: Yes, The Decorator is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 30 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1965, The Decorator emerges as a significant entry in the Comedy, TV Movie domain. The narrative core of the film focuses on a sophisticated exploration of A respected but struggling interior decorator from a wealthy background moves in with some of her clients in order to meet their specific needs. Unlike standard genre fare, The Decorator attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Richard Kinon, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and The Decorator features a noteworthy lineup led by Bette Davis. Supported by the likes of Ed Begley and Alice Frost, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Bette Davis, Ed Begley, Alice Frost manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1965 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, TV Movie space.
From a technical perspective, The Decorator is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Decorator follows a sophisticated brisk pace. Over its 30 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The Decorator resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Decorator is more than just its synopsis. It is an inquiry into the boundaries of human experience. A respected but struggling interior decorator from a wealthy background moves in with some of her clients in order to meet their specific needs. In the process, she tends to become friends with the families and get drawn into their personal problems. In the pilot episode, she's hired by an oil tycoon to lavishly decorate a house on his property for his daughter and future son-in-law, secretly hoping that the obvious expense will cause the fiancé' to back out of the wedding.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Decorator (1965) is overwhelmingly divisive. With an audience rating of 6/10 and strong performance metrics in the Comedy, TV Movie categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Bette Davis, Ed Begley, Alice Frost or the visual majesty of its technical execution, The Decorator is a significant contribution to the cinema of 1965. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, The Decorator stands as a challenging project for the creators. It remains an essential piece of the 1965 cinematic year.
The Decorator has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
The Decorator is a mixed bag. It might be worth watching if you're a fan of Comedy, TV Movie movies, but read reviews first.
The Decorator may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
A respected but struggling interior decorator from a wealthy background moves in with some of her clients in order to meet their specific needs. In the process, she tends to become friends with the families and get drawn into their personal problems. In the pilot episode, she's hired by an oil tycoon to lavishly decorate a house on his property for his daughter and future son-in-law, secretly hoping that the obvious expense will cause the fiancé' to back out of the wedding.