Is The End of the Line Worth Watching?
Answer: Maybe not, The End of the Line is likely a skip if you enjoy Crime movies.
It features a runtime of 63 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The End of the Line is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.4/10, it has delivered a mixed experience for fans of the Crime, Drama genre.
Answer: Maybe not, The End of the Line is likely a skip if you enjoy Crime movies.
It features a runtime of 63 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 11, 2026
Released in 1957, The End of the Line enters the Crime genre with a narrative focused on The wife of a night club owner frames an American writer for his murder. Under the direction of Charles Saunders, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Alan Baxter. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, The End of the Line offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, The End of the Line resonates with current cultural themes in the Crime space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, The End of the Line is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Google Play Movies roughly 45-60 days after the theatrical release.
The plot of The End of the Line centers on a unique premise within the Crime landscape. The wife of a night club owner frames an American writer for his murder. The second act serves as a major turning point, leading to a climax that fans of 1957 cinema will find fairly predictable.
The ending of The End of the Line has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a The End of the Line sequel or a wider cinematic universe are already gaining traction.
Final verdict for The End of the Line (1957): with an audience rating of 5.4/10, the reception has been divisive. It is a recommended for fans of Crime, Drama cinema who appreciate attention to detail.
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YouTubeAnalyzing the audience sentiment, IMDb rating of 5.4/10, and global collection metrics, The End of the Line stands as a challenging project for the creators. It remains an essential piece of the 1957 cinematic year.
The End of the Line has received mixed reviews with a 5.4/10 rating, making it a moderate success with the audience.
The End of the Line is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
The End of the Line may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The End of the Line has received mixed reviews with a 5.4/10 rating, making it a moderate success with the audience.
The End of the Line is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
The End of the Line may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The End of the Line is a Crime, Drama movie that follows: The wife of a night club owner frames an American writer for his murder....
The End of the Line falls under Crime, Drama, which often contain intense scenes. Parental discretion is advised.
The End of the Line is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
The wife of a night club owner frames an American writer for his murder.
Alan Baxter or a statue or Alan Baxter? Which would you choose? Which did Charles Saunders actually pick for this rather silly and weak crime drama. He is "Selby" a writer sent over from the US to London to help promote a play being staged by "Bruce" (Charles Clay). As luck would have it, his remote hotel is owned by "Crawford" (Arthur Gomez) and guess what - that man's wife also happens to be an ex-girfriend of "Selby" who absconded with his last few bucks years earlier. She, "Liliane" (Barbara Shelley) and he quickly concoct a plan that will see them rob her wealthy husband and abscond with his collection of expensive jewels. Of course it all goes wrong - and soon poor old "Shelby" is wanted by the police for murder - but frankly, the hugely far-fetched plot had long since lost any lustre by the time we get to this stage. There is no chemistry at all to be had on screen and the writing and pace of the drama are pedestrian and sluggish as the characterisations trip over themselves to keep us guessing who anyone can trust and who is, ultimately, driving the game. It does feature some nice photography of late 1950s London, but that's hardly a reason to watch. Sorry - it's just dull.