Is The Exterminating Angel Worth Watching?
Answer: Maybe not, The Exterminating Angel is likely a skip if you enjoy Music movies.
It features a runtime of 119 minutes and offers a standard storyline that appeals to general audiences.
Verdict:The Exterminating Angel is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Music genre.
Answer: Maybe not, The Exterminating Angel is likely a skip if you enjoy Music movies.
It features a runtime of 119 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2024, The Exterminating Angel emerges as a significant entry in the Music domain. The narrative core of the film focuses on a sophisticated exploration of After last season’s The Dante Project, the Paris Opera continues to explore the music of contemporary composer Thomas Adès with the French premiere of The Exterminating Angel. Unlike standard genre fare, The Exterminating Angel attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Calixto Bieito, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Music elements serve the larger narrative arc rather than just providing spectacle.
The success of any Music is often anchored by its ensemble, and The Exterminating Angel features a noteworthy lineup led by Jacquelyn Stucker. Supported by the likes of Gloria Tronel and Hilary Summers, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Jacquelyn Stucker, Gloria Tronel, Hilary Summers manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2024 cinema, these performances stand as a testament to the evolving standards of acting within the Music space.
From a technical perspective, The Exterminating Angel is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Exterminating Angel follows a sophisticated brisk pace. Over its 119 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The Exterminating Angel resonates with contemporary social and cultural themes prevalent in the Music landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Exterminating Angel is more than just its synopsis. It is an inquiry into the boundaries of human experience. After last season’s The Dante Project, the Paris Opera continues to explore the music of contemporary composer Thomas Adès with the French premiere of The Exterminating Angel. Inspired by Luis Buñuel’s 1962 surrealist film, which offered a scathing critique of the bourgeoisie, the work begins with a dinner among upper-class friends in a plush mansion after an opera performance. But, gradually, a mysterious force prevents the fifteen guests from leaving the reception. In this confinement for no apparent reason, drawn out over several days, the veneer of propriety cracks, revealing the worst of human nature. Thomas Adès has written a rich and tense score, amplifying the libretto’s strange atmosphere with unusual instruments such as the ondes Martenot. The Paris Opera has entrusted the staging of this huis-clos to Calixto Bieito. The director has long been fascinated by Buñuel’s universe.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Exterminating Angel (2024) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Music categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Jacquelyn Stucker, Gloria Tronel, Hilary Summers or the visual majesty of its technical execution, The Exterminating Angel is a significant contribution to the cinema of 2024. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, The Exterminating Angel stands as a challenging project for the creators. It remains an essential piece of the 2024 cinematic year.
The Exterminating Angel is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, The Exterminating Angel may not be worth watching unless you are a die-hard fan.
The Exterminating Angel may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
After last season’s The Dante Project, the Paris Opera continues to explore the music of contemporary composer Thomas Adès with the French premiere of The Exterminating Angel. Inspired by Luis Buñuel’s 1962 surrealist film, which offered a scathing critique of the bourgeoisie, the work begins with a dinner among upper-class friends in a plush mansion after an opera performance. But, gradually, a mysterious force prevents the fifteen guests from leaving the reception. In this confinement for no apparent reason, drawn out over several days, the veneer of propriety cracks, revealing the worst of human nature. Thomas Adès has written a rich and tense score, amplifying the libretto’s strange atmosphere with unusual instruments such as the ondes Martenot. The Paris Opera has entrusted the staging of this huis-clos to Calixto Bieito. The director has long been fascinated by Buñuel’s universe.