Is The Frog Worth Watching?
Answer: Maybe not, The Frog is likely a skip if you enjoy Drama movies.
It features a runtime of 78 minutes and offers a standard storyline that appeals to general audiences.

Verdict:The Frog is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, The Frog is likely a skip if you enjoy Drama movies.
It features a runtime of 78 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2017, The Frog emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. Unlike standard genre fare, The Frog attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Elmir Jukić, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and The Frog features a noteworthy lineup led by Emir Hadžihafizbegović. Supported by the likes of Aleksandar Seksan and Mirsad Tuka, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Emir Hadžihafizbegović, Aleksandar Seksan, Mirsad Tuka manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, The Frog is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Frog follows a sophisticated brisk pace. Over its 78 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The Frog resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Frog is more than just its synopsis. It is an inquiry into the complexity of relationships. Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Frog (2017) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Emir Hadžihafizbegović, Aleksandar Seksan, Mirsad Tuka or the visual majesty of its technical execution, The Frog is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Set within the thematic framework of the Drama genre, The Frog delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of The Frog leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, The Frog's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, The Frog stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
The Frog is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, The Frog may not be worth watching unless you are a die-hard fan.
The Frog may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.