Is The Fury of the Wolf Man Worth Watching?
Answer: Maybe not, The Fury of the Wolf Man is likely a skip if you enjoy Horror movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:The Fury of the Wolf Man is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.3/10, it has delivered a mixed experience for fans of the Horror genre.
Answer: Maybe not, The Fury of the Wolf Man is likely a skip if you enjoy Horror movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 11, 2026
Released in 1972, The Fury of the Wolf Man enters the Horror genre with a narrative focused on A man has had a werewolf curse cast upon him. Under the direction of José María Zabalza, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Paul Naschy. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, The Fury of the Wolf Man offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, The Fury of the Wolf Man resonates with current cultural themes in the Horror space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, The Fury of the Wolf Man is available for streaming on Cultpix. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of The Fury of the Wolf Man centers on a unique premise within the Horror landscape. A man has had a werewolf curse cast upon him. If he doesn't get rid of it, he turns into a killer werewolf when the moon is full. The second act serves as a major turning point, leading to a climax that fans of 1972 cinema will find fairly predictable.
The ending of The Fury of the Wolf Man has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a The Fury of the Wolf Man sequel or a wider cinematic universe are already gaining traction.
Final verdict for The Fury of the Wolf Man (1972): with an audience rating of 4.3/10, the reception has been negative. It is a recommended for fans of Horror cinema who appreciate attention to detail.
CultpixAnalyzing the audience sentiment, IMDb rating of 4.3/10, and global collection metrics, The Fury of the Wolf Man stands as a challenging project for the creators. It remains an essential piece of the 1972 cinematic year.
The Fury of the Wolf Man is considered a flop based on audience ratings of 4.3/10 and lower collections.
Based on the low rating of 4.3/10, The Fury of the Wolf Man may not be worth watching unless you are a die-hard fan.
The Fury of the Wolf Man is currently available for streaming on Cultpix. You can also check for it on platforms like Cultpix depending on your region.
The Fury of the Wolf Man is considered a flop based on audience ratings of 4.3/10 and lower collections.
Based on the low rating of 4.3/10, The Fury of the Wolf Man may not be worth watching unless you are a die-hard fan.
The Fury of the Wolf Man is currently available for streaming on Cultpix. You can also check for it on platforms like Cultpix depending on your region.
The Fury of the Wolf Man is a Horror movie that follows: A man has had a werewolf curse cast upon him. If he doesn't get rid of it, he turns into a killer werewolf when the moon is full....
The Fury of the Wolf Man falls under Horror, which often contain intense scenes. Parental discretion is advised.
The Fury of the Wolf Man is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Explore the full watch order, ratings, and collection details.
View Full FranchiseA man has had a werewolf curse cast upon him. If he doesn't get rid of it, he turns into a killer werewolf when the moon is full.
When I think about why I love Italian horror films so much, particularly those from the 60's to 80's, and wonder why the Italians are so good at making them, it dawns on me that it's because they tend to be so passionate and uninhibited in all of their unbridled emotions, and that it's always a very thin, perforated line between love and hate, good and evil, which makes their actions so uncontrollable and their behaviour so decidedly unpredictable. Take it from me and my personal relationship experiences, Italians really know how to express themselves. The sex is always outstanding, but you always have to go through and endure your share of blood, sweat and tears (as The Smithereens once famously sang, 'I get the blues before and after loving you.') In terms of great horror protagonists, Paul Naschy has always been both the saving grace and missing link, the great Spanish hope. Lord Almighty, he always seemed a direct cross between a 60's Marlon Brando (when he was starting to get disillusioned and pudgy because no one could come up with ideas or roles worthy of his monumental talents) and John Belushi. He always possessed this tortured mythos, channeling the very best of Boris Karloff and Lon Chaney Jr. Yes, he was a monster, but he couldn't help himself, and his nasty habits went against the very fiber of his being. No matter how bad the material (which he usually wrote, under an alias), he was always fervently watchable. Tangentially, Jean-Luc Godard once said that Roger Vadim was 'with it'. The literal translation: He makes bad films, but he knows what people wants to see. 'The Fury of the Wolfman' is like that. Director Zabalza knows his audience inside and out. EVERY SINGLE female character, without exception, is drop-dead gorgeous, not to mention scantily clad at every possible moment. There are whips, chains, bondage--every type of scenario a full-blooded person, even remotely intrigued in sexuality, would be head-over-heels over. The plot is meaningless and deserves to be. It's never the point. All the filmmakers are looking for is 90 minutes of cinematic fun and excitement that people will want to peruse, and you get that here, and are left completely satisfied. As The Kinks famously said, 'Give the People What They Want!'