The Idiot
Performance & Direction: The Idiot Review
Last updated: February 23, 2026
Quick Verdict: Hit or Flop?
Is The Idiot (1951) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 7.0/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and The Idiot features a noteworthy lineup led by Setsuko Hara . Supported by the likes of Masayuki Mori and Toshirō Mifune , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: The Idiot
Quick Plot Summary: Released in 1951, The Idiot is a Drama, Romance film directed by Akira Kurosawa. The narrative explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict involving Setsuko Hara.
Ending Explained: The Idiot
Ending Breakdown: Directed by Akira Kurosawa, The Idiot resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to drama resolution.
The emotional climax centers on character transformation involving Setsuko Hara, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes with clear resolution of its central conflicts, providing closure while maintaining some ambiguity.
- Character Arcs: Main characters complete meaningful transformations, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of The Idiot reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Idiot?
Worth Watching If You:
- Enjoy Drama films and don't mind familiar tropes
- Are a fan of Setsuko Hara or the director
- Want a character-driven story with emotional moments
Top Cast: The Idiot
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Where to Watch The Idiot Online?
Streaming Hub📺 Stream on
Criterion ChannelThe Idiot Parents Guide & Age Rating
1951 AdvisoryWondering about The Idiot age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Idiot is 166 minutes (2h 46m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 7.0/10, and global performance metrics, The Idiot is classified as a HIT. It remains an essential part of the 1951 cinematic calendar.
Frequently Asked Questions
Is The Idiot worth watching?
The Idiot is definitely worth watching if you enjoy Drama movies. It has a verified rating of 7/10 and stands as a HIT in our box office analysis.
Where can I find The Idiot parents guide and age rating?
The official parents guide for The Idiot identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Idiot?
The total duration of The Idiot is 166 minutes, which is approximately 2h 46m long.
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How The Idiot Compares & Where it Ranks
Critic Reviews for The Idiot
"Kameda" (Masayuki Mori) is a Japanese soldier suffering from what looks like a degree of PTSD after he only narrowly escaped a firing squad for a crime he did not commit in his country's war with Russia. His mental status is distinctly precarious when he heads home. Along the way he encounters the savvy "Akama" (an on-form Toshirô Mifune) who is also a man on a bit of a mission - to wed his sweetheart "Taeko" (Setsuko Hara) who has been the kept woman of an older man for many a year. She is effectively put up for sale, and her potential buyer is a man - "Kayama" (Minoru Chiaki) - who is associated with a man who might be able to help "Kameda" reintegrate, but who is also in love with the feisty and head-strong "Ayako" (Yoshiko Kuga). The course of true love never runs smoothly and, upon meeting, she and "Kameda" find themselves drawn to each other. Now without giving too much away, the remainder of the film is an intricately constructed adaptation of Dostoyevky's original story of love, deception, integrity and loyalty that requires concentration and pays off if you do. It deals well with the implications of wartime illnesses and of the role of women in a society that still regarded them as (porcelain) chattels - as well as proving us with a more traditional, good old, love-triangle scenario. It is entertainingly structured with intensity and a degree of humour woven into a character study that offers a myriad of personalities and no obvious "right answer". What soon becomes clear though, is that the eponymous moniker attributed to "Kameda" is as ill-applied as could be. The photography amidst the snow-capped mountains of Sapporo is effective as a conduit for some of the emotional barren-ness and the score compliments well the evolving, frequently stalling, story that meanders towards a conclusion that ultimately demonstrates that a strong and characterful cast and a great story can easily carry almost 2¾ of cinema effortless and engagingly. Certainly worth a big screen viewing if you can. Well worth it.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










