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The King of Kings movie poster - The King of Kings review and rating on movieMx
1927155 minDrama, History

The King of Kings

Is The King of Kings a Hit or Flop?

FLOP

Is The King of Kings worth watching? With a rating of 6.4/10, this Drama, History film is a mixed-bag for fans of the genre. Read on for our detailed analysis and user reviews.

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The King of Kings Synopsis

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

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Top Cast

H.B. Warner
H.B. WarnerJesus, The Christ
Dorothy Cumming
Dorothy CummingMary, the Mother
Ernest Torrence
Ernest TorrencePeter
Joseph Schildkraut
Joseph SchildkrautJudas Iscariot
James Neill
James NeillJames - Brother of John
Joseph Striker
Joseph StrikerJohn - the Beloved
Robert Edeson
Robert EdesonMatthew - the Publican
Sidney D'Albrook
Sidney D'AlbrookThomas, the Doubter
Jacqueline Logan
Jacqueline LoganMary Magdalene
Charles Belcher
Charles BelcherPhilip

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Frequently Asked Questions

Is The King of Kings worth watching?

The King of Kings has received mixed reviews with a 6.4/10 rating. It might be worth watching if you're a fan of Drama, History movies.

Is The King of Kings hit or flop?

The King of Kings has received average ratings (6.4/10), performing moderately with audiences.

What genre is The King of Kings?

The King of Kings is a Drama, History movie that The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywoo...

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Critic Reviews

CinemaSerfJun 6, 2022
★ 7

As biblical epics go, this is probably the best in my book. Cecil B. de Mille has crafted a masterpiece of silent cinema depicting the tale of the Christ from the beginnings of his journey until the resurrection. Using partly scripted and actual verses from the bible, the intertitles are expertly spaced to offer support to the dialogue when required, but largely we are left to follow the story with the grand scale imagery doing the talking for it. The detail is meticulous - costumes, sets etc, as you would expect - but the use of light and shade, particularly at the end, is magnificent. The characterisations from HB Warner as Jesus; Joseph Schildkraut (Judas) and Jacqueline Logan as the courtesan Mary Magdalene, replete with zebra-driven chariot all contribute to a rich, extensive, cast whose facial expressions carry far more weight than any words might do. Long? Well it's not, actually - the enterprise flies by (I saw it beautifully accompanied by the Sosin 2004 score) and if you've any interest in the history of cinema (or Christianity) then this is a must watch.