Verdict:The Metropolitan Opera – Verdi: Macbeth is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, Music genre.
Answer: Maybe not, The Metropolitan Opera – Verdi: Macbeth is likely a skip if you enjoy Drama movies.
It features a runtime of 157 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 2008, The Metropolitan Opera – Verdi: Macbeth enters the Drama genre with a narrative focused on Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. Under the direction of Gary Halvorson, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Željko Lučić. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, The Metropolitan Opera – Verdi: Macbeth offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. While the 4K mastering highlights the production value, the pacing during its 157-minute runtime can feel deliberate.
Beyond the narrative, The Metropolitan Opera – Verdi: Macbeth resonates with current cultural themes in the Drama space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, The Metropolitan Opera – Verdi: Macbeth is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of The Metropolitan Opera – Verdi: Macbeth centers on a unique premise within the Drama landscape. Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact. The second act serves as a major turning point, leading to a climax that fans of 2008 cinema will find fairly predictable.
The ending of The Metropolitan Opera – Verdi: Macbeth has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a The Metropolitan Opera – Verdi: Macbeth sequel or a wider cinematic universe are already gaining traction.
Final verdict for The Metropolitan Opera – Verdi: Macbeth (2008): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Drama, Music cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, The Metropolitan Opera – Verdi: Macbeth stands as a challenging project for the creators. It remains an essential piece of the 2008 cinematic year.
The Metropolitan Opera – Verdi: Macbeth is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, The Metropolitan Opera – Verdi: Macbeth may not be worth watching unless you are a die-hard fan.
The Metropolitan Opera – Verdi: Macbeth may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The Metropolitan Opera – Verdi: Macbeth is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, The Metropolitan Opera – Verdi: Macbeth may not be worth watching unless you are a die-hard fan.
The Metropolitan Opera – Verdi: Macbeth may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The Metropolitan Opera – Verdi: Macbeth is a Drama, Music movie that follows: Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to...
The Metropolitan Opera – Verdi: Macbeth is classified as Drama, Music. We recommend checking the official age rating before watching with children.
The Metropolitan Opera – Verdi: Macbeth is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.
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