Verdict:The Metropolitan Opera: Eugene Onegin is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Music genre.
Answer: Maybe not, The Metropolitan Opera: Eugene Onegin is likely a skip if you enjoy Music movies.
It features a runtime of 171 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2017, The Metropolitan Opera: Eugene Onegin emerges as a significant entry in the Music domain. The narrative core of the film focuses on a sophisticated exploration of Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Unlike standard genre fare, The Metropolitan Opera: Eugene Onegin attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of the director, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Music elements serve the larger narrative arc rather than just providing spectacle.
The success of any Music is often anchored by its ensemble, and The Metropolitan Opera: Eugene Onegin features a noteworthy lineup led by Anna Netrebko. Supported by the likes of Peter Mattei and Alexey Dolgov, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Anna Netrebko, Peter Mattei, Alexey Dolgov manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Music space.
From a technical perspective, The Metropolitan Opera: Eugene Onegin is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Metropolitan Opera: Eugene Onegin follows a sophisticated deliberate pace. Over its 171 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. While some may find the extended runtime testing, the investment pays off for audiences who appreciate a narrative that isn`t afraid to breathe and explore its more nuanced corners.
Beyond its immediate entertainment value, The Metropolitan Opera: Eugene Onegin resonates with contemporary social and cultural themes prevalent in the Music landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Metropolitan Opera: Eugene Onegin is more than just its synopsis. It is an inquiry into the boundaries of human experience. Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Metropolitan Opera: Eugene Onegin (2017) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Music categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Anna Netrebko, Peter Mattei, Alexey Dolgov or the visual majesty of its technical execution, The Metropolitan Opera: Eugene Onegin is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, The Metropolitan Opera: Eugene Onegin stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
The Metropolitan Opera: Eugene Onegin is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, The Metropolitan Opera: Eugene Onegin may not be worth watching unless you are a die-hard fan.
The Metropolitan Opera: Eugene Onegin may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.