🎬 The Premise
Released in 2015, The Metropolitan Opera: Lulu enters the Music genre with a narrative focused on
William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim.
Under the direction of Matthew Diamond, the film attempts to weave detailed character arcs with visual storytelling.
🎭 Cast & Performance
The film is anchored by performances from Marlis Petersen.
The chemistry between the leads drives the emotional core of the movie, making the stakes feel genuine.
🎥 Technical Mastery & Style
From a technical standpoint, The Metropolitan Opera: Lulu offers a
visually stunning presentation. The cinematography
uses a distinct visual palette that aligns well with the tone.
While the 4K mastering highlights the production value, the pacing during its 202-minute runtime can feel deliberate.
🌍 Social Impact & Cultural Context
Beyond the narrative, The Metropolitan Opera: Lulu resonates with current
cultural themes in the Music space.
It effectively mirrors local sentiment while maintaining a global appeal, a rare feat in recent releases.
📺 Where to Watch & Streaming Info
As of early 2026, The Metropolitan Opera: Lulu is available in theaters worldwide.
For audiences in the US, UK, and India, digital rentals are typically available on platforms like Apple TV roughly 45-60 days after the theatrical release.
📖 Narrative Arc & Plot Breakdown
The plot of The Metropolitan Opera: Lulu centers on a unique premise within the Music landscape.
William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.
The second act serves as a major turning point, leading to a climax that fans of 2015 cinema will find satisfying and robust.
💡 Ending Explained & Sequel Potential
The ending of The Metropolitan Opera: Lulu has sparked significant debate on social media. It signifies the
triumph of the protagonist over internal conflicts.
Given the current box office momentum, discussions of a The Metropolitan Opera: Lulu sequel or a wider cinematic universe are already gaining traction.
📝 Final Editorial Verdict
Final verdict for The Metropolitan Opera: Lulu (2015): with an audience rating of 10/10, the reception has been acclaimed.
It is a must-watch for fans of Music cinema who appreciate attention to detail.