Is The Morning Worth Watching?
Answer: Yes, The Morning is definitely worth watching if you enjoy Drama movies.
It features a runtime of 76 minutes and offers a solid storyline that appeals to general audiences.

Verdict:The Morning is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.1/10, it has delivered a compelling experience for fans of the Drama, War genre.
Answer: Yes, The Morning is definitely worth watching if you enjoy Drama movies.
It features a runtime of 76 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1967, The Morning emerges as a significant entry in the Drama, War domain. The narrative core of the film focuses on a sophisticated exploration of In the first days after the Second World War, as collaborators are being taken care of, a former partisan finds out that war never truly ends — not even in time of peace. Unlike standard genre fare, The Morning attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Mladomir 'Puriša' Đorđević, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and The Morning features a noteworthy lineup led by Ljubiša Samardžić. Supported by the likes of Neda Arnerić and Milena Dravić, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Ljubiša Samardžić, Neda Arnerić, Milena Dravić manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1967 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, War space.
From a technical perspective, The Morning is a marvel of 21st-century filmmaking. The cinematography, utilizing a vibrant and expressive color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Morning follows a sophisticated brisk pace. Over its 76 minute duration, the film manages to balance exposition with action in a way that remains intellectually stimulating. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The Morning resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as human resilience and ethical ambiguity with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 7.1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Morning is more than just its synopsis. It is an inquiry into the complexity of relationships. In the first days after the Second World War, as collaborators are being taken care of, a former partisan finds out that war never truly ends — not even in time of peace.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Morning (1967) is overwhelmingly generally positive. With an audience rating of 7.1/10 and strong performance metrics in the Drama, War categories, it stands as a mandatory watch for any serious cinema lover.
Whether you choose to experience it for the stellar performances from Ljubiša Samardžić, Neda Arnerić, Milena Dravić or the visual majesty of its technical execution, The Morning is a significant contribution to the cinema of 1967. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 7.1/10, and global collection metrics, The Morning stands as a successful venture for the creators. It remains an essential piece of the 1967 cinematic year.
The Morning is considered a hit based on audience response and box office performance. With a rating of 7.1/10, it's highly recommended for fans of Drama, War movies.
Yes, The Morning is definitely worth watching! It's a must-watch hit for fans of Drama, War cinema.
The Morning may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
In the first days after the Second World War, as collaborators are being taken care of, a former partisan finds out that war never truly ends — not even in time of peace.