The Stunt Man
Performance & Direction: The Stunt Man Review
Last updated: February 19, 2026
Quick Verdict: Hit or Flop?
Is The Stunt Man (1980) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.6/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Action.
Cast Performances: A Masterclass
The success of any Action is often anchored by its ensemble, and The Stunt Man features a noteworthy lineup led by Peter O'Toole . Supported by the likes of Steve Railsback and Barbara Hershey , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: The Stunt Man
Quick Plot Summary: Released in 1980, The Stunt Man is a Action, Comedy, Drama, Thriller, Romance film directed by Richard Rush. The narrative delivers highly intense sequences and pulse-pounding confrontations that keep viewers on the edge of their seats. This summary provides a scannable look at the movie's central conflict involving Peter O'Toole.
Ending Explained: The Stunt Man
Ending Breakdown: Directed by Richard Rush, The Stunt Man concludes its story with a mix of closure and open interpretation. The finale presents its approach to action resolution.
The final reveal recontextualizes earlier scenes involving Peter O'Toole, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the action themes established throughout the runtime.
The final moments of The Stunt Man reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Stunt Man?
Worth Watching If You:
- Enjoy Action films and don't mind familiar tropes
- Are a fan of Peter O'Toole or the director
- Want an adrenaline rush without demanding perfection
Top Cast: The Stunt Man
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Where to Watch The Stunt Man Online?
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Fandango At HomeThe Stunt Man Parents Guide & Age Rating
1980 AdvisoryWondering about The Stunt Man age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Stunt Man is 131 minutes (2h 11m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.6/10, and global performance metrics, The Stunt Man is classified as a HIT. It remains an essential part of the 1980 cinematic calendar.
Frequently Asked Questions
Is The Stunt Man worth watching?
The Stunt Man is definitely worth watching if you enjoy Action movies. It has a verified rating of 6.6/10 and stands as a HIT in our box office analysis.
Where can I find The Stunt Man parents guide and age rating?
The official parents guide for The Stunt Man identifies it as R. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Stunt Man?
The total duration of The Stunt Man is 131 minutes, which is approximately 2h 11m long.
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Critic Reviews for The Stunt Man
This incredible movie took me by surprise in the fall of 1980. The Stunt Man replaced The Empire Strikes Back at the theater where I worked. I was prepared to hate this film. To my complete surprise, it became my favorite film from the 1980s. If you haven't seen it, strap yourself in and go for the ride. It's worth every second. Peter O'Toole has Never been better as Cross, the demented and brilliant director. Is he out to kill Cameron just to get a good scene or two from him? Or is he actually a caring person who would never hurt a fly? You won't know until the film is just about over. Basically, Cameron is on the run from the Law. He stumbles into a film set and (perhaps) causes the death of the film's stunt man. Ely Cross, the director, offers Cameron a place to hide from the Law if he'll replace the stunt man until the film is done shooting. Cameron agrees. From that point, nothing is what it seems. The film blends the real with the surreal world of filmmaking that will have you smiling throughout. High Points are the Soundtrack and Barbara Hershey. Barbara has never been more beautiful here, and she gives the performance of a lifetime. Location filming was at the Del Coronado Hotel in San Diego. The same hotel was used for Some Like It Hot.
I'd like to embellish the previous review... CaptNemo did a good job summing up the movie, but there are a few other interesting things that can be said about it. My short summary is that this is probably the best "meta" movie, or movie about making movies you'll find. I discovered the film on cable TV, and immediately fell in love with it. A short time later I came across the Brodeur novel in a used bookstore, and bought and read it immediately. The novel is quite dark, and has a number of plot issues. In several ways the movie is more fun and better than the book. But it's a *quite* different story. One area I disagree with CaptNemo is where he said that you find out everything at the end of the movie... I don't find the end of the movie completely illuminating -- some things are fairly clear, but there is much that's still open to interpretation... which is one of the things that makes it so fun to watch again! I only owned the laser disc edition of this movie for many years. I only recently acquired the DVD to have it in a more modern format to show to friends. And so then I discovered the commentary, and only as a result of that commentary I found out about the documentary film about the movie, "The Sinister Saga of Making The Stunt Man." If you're a fan of this movie, the documentary is a must-have! Regarding the movie-within-a-movie, it's difficult to say if it would have been a good movie or not. Is Eli Cross a good director? We don't really know. We're only offered tantalizing glimpses of his work. It would have been nice if the DVD special features included the screenplay of the movie-within-a-movie, or maybe even stitched some of the scenes together, like was done for the DVD of the movie-within-the-movie in Joe Dante's "Matinee."
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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