Is The Target Worth Watching?
Answer: Maybe not, The Target is likely a skip if you enjoy Action movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:The Target is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 1.0/10, it has delivered a mixed experience for fans of the Action, Thriller genre.
Answer: Maybe not, The Target is likely a skip if you enjoy Action movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1975, The Target emerges as a significant entry in the Action, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of Two brothers are separated from each other for many years. Unlike standard genre fare, The Target attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Iraj Ghaderi, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Action elements serve the larger narrative arc rather than just providing spectacle.
The success of any Action is often anchored by its ensemble, and The Target features a noteworthy lineup led by Iraj Ghaderi. Supported by the likes of Saeed Rad and Hossein Shahab, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Iraj Ghaderi, Saeed Rad, Hossein Shahab manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1975 cinema, these performances stand as a testament to the evolving standards of acting within the Action, Thriller space.
From a technical perspective, The Target is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Target follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The Target resonates with contemporary social and cultural themes prevalent in the Action landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 1/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Target is more than just its synopsis. It is an inquiry into nature of power. Two brothers are separated from each other for many years. Khosrow is now a police officer but his missing brother Essi is a thief. Essi gets release from the prison but is in need to money for the treatment of his ill son so he participates once again in a rubbery with a gangsters mob. The police brother is involved in the events too. Essi when sees a special mark on
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Target (1975) is overwhelmingly negative. With an audience rating of 1/10 and strong performance metrics in the Action, Thriller categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Iraj Ghaderi, Saeed Rad, Hossein Shahab or the visual majesty of its technical execution, The Target is a significant contribution to the cinema of 1975. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 1/10, and global collection metrics, The Target stands as a challenging project for the creators. It remains an essential piece of the 1975 cinematic year.
The Target is considered a flop based on audience ratings of 1/10 and lower collections.
Based on the low rating of 1/10, The Target may not be worth watching unless you are a die-hard fan.
The Target may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Two brothers are separated from each other for many years. Khosrow is now a police officer but his missing brother Essi is a thief. Essi gets release from the prison but is in need to money for the treatment of his ill son so he participates once again in a rubbery with a gangsters mob. The police brother is involved in the events too. Essi when sees a special mark on