Is The Third, Pathetic Worth Watching?
Answer: Maybe not, The Third, Pathetic is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:The Third, Pathetic is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, Comedy, TV Movie genre.
Answer: Maybe not, The Third, Pathetic is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1960, The Third, Pathetic emerges as a significant entry in the Drama, Comedy, TV Movie domain. The narrative core of the film focuses on a sophisticated exploration of The main character is the chekist Fyodor Dyatlov. Unlike standard genre fare, The Third, Pathetic attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Ivan Yermakov, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and The Third, Pathetic features a noteworthy lineup led by Boris Smirnov. Supported by the likes of Anna Lisyanskaya and Pavel Luspekayev, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Boris Smirnov, Anna Lisyanskaya, Pavel Luspekayev manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1960 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Comedy, TV Movie space.
From a technical perspective, The Third, Pathetic is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The Third, Pathetic follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The Third, Pathetic resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The Third, Pathetic is more than just its synopsis. It is an inquiry into the complexity of relationships. The main character is the chekist Fyodor Dyatlov. He is in love with his friend Hippolytus' sister, the educated, intelligent Irina. At the same time, he harshly pursues the younger brother of Hippolytus and Irina Valerik. He is also a security officer, but in his youth he was tempted by a bribe. Fyodor investigates the case himself and puts Valerik in the hands of higher security officers. His possible happiness with Irina and his friendship with Hippolytus are at stake. But Fyodor is a real fanatic of the communist idea. For the sake of principles, he will do anything.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The Third, Pathetic (1960) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama, Comedy, TV Movie categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Boris Smirnov, Anna Lisyanskaya, Pavel Luspekayev or the visual majesty of its technical execution, The Third, Pathetic is a significant contribution to the cinema of 1960. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, The Third, Pathetic stands as a challenging project for the creators. It remains an essential piece of the 1960 cinematic year.
The Third, Pathetic is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, The Third, Pathetic may not be worth watching unless you are a die-hard fan.
The Third, Pathetic may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The main character is the chekist Fyodor Dyatlov. He is in love with his friend Hippolytus' sister, the educated, intelligent Irina. At the same time, he harshly pursues the younger brother of Hippolytus and Irina Valerik. He is also a security officer, but in his youth he was tempted by a bribe. Fyodor investigates the case himself and puts Valerik in the hands of higher security officers. His possible happiness with Irina and his friendship with Hippolytus are at stake. But Fyodor is a real fanatic of the communist idea. For the sake of principles, he will do anything.