Is The White Devil Worth Watching?
Answer: Maybe not, The White Devil is likely a skip if you enjoy movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Verdict:The White Devil is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, The White Devil is likely a skip if you enjoy movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1965, The White Devil emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of A Lost Persian Film. Unlike standard genre fare, The White Devil attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Ahmad Safaei, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and The White Devil features a noteworthy lineup led by Azar Hekmat Shoar. Supported by the likes of Ali Azad and Parkhide, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Azar Hekmat Shoar, Ali Azad, Parkhide manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1965 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, The White Devil is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of The White Devil follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, The White Devil resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, The White Devil is more than just its synopsis. It is an inquiry into the boundaries of human experience. A Lost Persian Film. Iraj meets Jasem, the manager of a cafe, in a fight. Iraj is an addict and the man who brought him drugs has been arrested. He provides for his needs, and Iraj is arrested by a detective. In Iraj's absence, Jasem provides for his mother and sister's financial needs. After Iraj is released from prison, he steals his mother's necklace to obtain drugs. Iraj catches his partner Jasem in the act, and the detective, who has arrested one of Jasem's men and forced him to cooperate, keeps an eye on them. Jasem and his men are suspicious of Iraj, but he shows his loyalty by cooperating with them every time. Eventually, the police succeed in trapping Jasem and his men.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of The White Devil (1965) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Azar Hekmat Shoar, Ali Azad, Parkhide or the visual majesty of its technical execution, The White Devil is a significant contribution to the cinema of 1965. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, The White Devil stands as a challenging project for the creators. It remains an essential piece of the 1965 cinematic year.
The White Devil is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, The White Devil may not be worth watching unless you are a die-hard fan.
The White Devil may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
A Lost Persian Film. Iraj meets Jasem, the manager of a cafe, in a fight. Iraj is an addict and the man who brought him drugs has been arrested. He provides for his needs, and Iraj is arrested by a detective. In Iraj's absence, Jasem provides for his mother and sister's financial needs. After Iraj is released from prison, he steals his mother's necklace to obtain drugs. Iraj catches his partner Jasem in the act, and the detective, who has arrested one of Jasem's men and forced him to cooperate, keeps an eye on them. Jasem and his men are suspicious of Iraj, but he shows his loyalty by cooperating with them every time. Eventually, the police succeed in trapping Jasem and his men.