The Witch
Performance & Direction: The Witch Review
Last updated: February 17, 2026
Quick Verdict: Hit or Flop?
Is The Witch (2016) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 7.0/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Horror.
Cast Performances: A Masterclass
The success of any Horror is often anchored by its ensemble, and The Witch features a noteworthy lineup led by Anya Taylor-Joy . Supported by the likes of Ralph Ineson and Kate Dickie , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: The Witch
Quick Plot Summary: Released in 2016, The Witch is a Horror, Fantasy, Drama film directed by Robert Eggers. The narrative crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict involving Anya Taylor-Joy.
Story Breakdown
The horror unfolds through carefully crafted atmosphere and escalating dread. In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member's faith, loyalty and love are tested in shocking ways. Director Robert Eggers uses both psychological terror and visceral scares, building tension through what's unseen as much as what's shown. The pacing allows for breathing room between scares, making each frightening moment more effective.
Narrative Structure
- Opening Hook: An unsettling prologue sets the ominous tone, hinting at the terror to come while establishing the rules of this world.
- Character Arc: The main character shows growth throughout the story, though some supporting characters could have been more fully realized. Anya Taylor-Joy's arc is present but occasionally predictable.
- Climax & Resolution: The final act escalates the terror to its peak, forcing characters to confront the source of horror directly.
Thematic Depth
Beneath the scares lies commentary on deeper fears like loss of control, the unknown, or societal anxieties manifested as literal monsters.
What Works & What Doesn't
✅ Strengths
- Solid execution of genre conventions
- Engaging moments that showcase the creators' vision
- Competent performances from the cast
⚠️ Weaknesses
- Some narrative choices that feel predictable
- Occasional pacing lulls in the middle act
Ending Explained: The Witch
Ending Breakdown: Directed by Robert Eggers, The Witch resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to horror resolution.
The emotional climax centers on character transformation involving Anya Taylor-Joy, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes with clear resolution of its central conflicts, providing closure while maintaining some ambiguity.
- Character Arcs: Main characters complete meaningful transformations, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the horror themes established throughout the runtime.
The final moments of The Witch reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch The Witch?
Worth Watching If You:
- Enjoy Horror films and don't mind familiar tropes
- Are a fan of Anya Taylor-Joy or the director
- Want a few scares and creepy atmosphere
Box Office Collection: The Witch
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $4.0M |
| Worldwide Gross | $40.4M |
| Trade Verdict | CLEAN HIT |
The Witch Budget
The estimated production budget for The Witch is $4.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: The Witch
All Cast & Crew →






Where to Watch The Witch Online?
Streaming Hub🎟️ Rent on
Amazon VideoThe Witch Parents Guide & Age Rating
2016 AdvisoryWondering about The Witch age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of The Witch is 92 minutes (1h 32m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 7.0/10, and global performance metrics, The Witch is classified as a HIT. It remains an essential part of the 2016 cinematic calendar.
Frequently Asked Questions
Is The Witch worth watching?
The Witch is definitely worth watching if you enjoy Horror movies. It has a verified rating of 7/10 and stands as a HIT in our box office analysis.
Where can I find The Witch parents guide and age rating?
The official parents guide for The Witch identifies it as R. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of The Witch?
The total duration of The Witch is 92 minutes, which is approximately 1h 32m long.
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How The Witch Compares & Where it Ranks
Critic Reviews for The Witch
> While an evil force slowly possessing them, the family bond is put on a test. The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest after denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested. Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings. It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement. A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups. 8/10
This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times. The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic. It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document. ★★★★
Talk about old school! “The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Christ” by 1600 years. As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie. This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end. That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are. “The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.
'The Witch', Robert Eggers' feature directorial debut, is very good! I enjoyed all of these 90 minutes, I could've watched it go on for a little longer in truth. I really liked the atmosphere throughout, as well as the look of the film. The dialogue is particularly excellent, too. Everyone on the cast gives a terrific performance, shown perfectly by that final scene with them all together onscreen. Harvey Scrimshaw is super convincing in the aforementioned, I was almost questioning if they had got an adult actor and morphed him into Caleb, such was his high performance. Ellie Grainger and Lucas Dawson are class in that scene too, one of the most unsettling moments in this is as their characters convulse on the floor - that sorta thing with kids always creeps me out. I've gone too far into my review to not note Anya Taylor-Joy, who is quality from beginning to end. Ralph Ineson and Kate Dickie merit props as well. I mentioned in my recent review of (the good) 'Nosferatu' that I was unsure how this one was going to fare in my personal ranking of this director's work, given the stark contrast with my thoughts on 'The Lighthouse' (4/10) and 'The Northman' (9/10). In actuality, this falls a notch below the latter; not far off the same rating, fwiw. It'll be fascinating to see what Eggers conjures up next, as long as it is not another piece in the ilk of that from 2019 then I'll excited to check it out.
One of the best movies I've ever seen. The acting, the lighting, the writing were all divine. Also, even though this is a horror movie, I liked it because I'm a bit of a scaredy cat. I don't like horrors that have a bunch of gore or jump scares.
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