Is This Year in September Worth Watching?
Answer: Maybe not, This Year in September is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:This Year in September is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, Romance genre.
Answer: Maybe not, This Year in September is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1963, This Year in September emerges as a significant entry in the Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of 16-year-old Hanka is experiencing the turmoil of first love. Unlike standard genre fare, This Year in September attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of František Daniel, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and This Year in September features a noteworthy lineup led by Zuzana Martinková. Supported by the likes of Ivan Touška and Vlasta Chramostová, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Zuzana Martinková, Ivan Touška, Vlasta Chramostová manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1963 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Romance space.
From a technical perspective, This Year in September is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of This Year in September follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, This Year in September resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, This Year in September is more than just its synopsis. It is an inquiry into the complexity of relationships. 16-year-old Hanka is experiencing the turmoil of first love. She loves college student Pavel Horák, but she cannot get close to him. Pavel is also attracted to the serious girl, but he is also shy and timid. That is why every meeting between them ends in mutual disappointment, insecurity and a feeling of threat…
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of This Year in September (1963) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama, Romance categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Zuzana Martinková, Ivan Touška, Vlasta Chramostová or the visual majesty of its technical execution, This Year in September is a significant contribution to the cinema of 1963. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Lepsi TVAnalyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, This Year in September stands as a challenging project for the creators. It remains an essential piece of the 1963 cinematic year.
This Year in September is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, This Year in September may not be worth watching unless you are a die-hard fan.
This Year in September is currently available for streaming on Lepsi TV. You can also check for it on platforms like Lepsi TV depending on your region.
16-year-old Hanka is experiencing the turmoil of first love. She loves college student Pavel Horák, but she cannot get close to him. Pavel is also attracted to the serious girl, but he is also shy and timid. That is why every meeting between them ends in mutual disappointment, insecurity and a feeling of threat…