Is Those We Love Worth Watching?
Answer: Yes, Those We Love is definitely worth watching if you enjoy Drama movies.
It features a runtime of 72 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Those We Love is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Yes, Those We Love is definitely worth watching if you enjoy Drama movies.
It features a runtime of 72 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1932, Those We Love emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of Director Robert Florey's 1932 melodrama about a woman who suspects her husband of infidelity stars Mary Astor, Kenneth MacKenna, Tommy Conlon, Lilyan Tashman, Hale Hamilton, Cecil Cunningham and Virginia Sale. Unlike standard genre fare, Those We Love attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Robert Florey, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Those We Love features a noteworthy lineup led by Mary Astor. Supported by the likes of Kenneth MacKenna and Lilyan Tashman, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Mary Astor, Kenneth MacKenna, Lilyan Tashman manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1932 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Those We Love is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Those We Love follows a sophisticated brisk pace. Over its 72 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Those We Love resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Those We Love is more than just its synopsis. It is an inquiry into the complexity of relationships. Director Robert Florey's 1932 melodrama about a woman who suspects her husband of infidelity stars Mary Astor, Kenneth MacKenna, Tommy Conlon, Lilyan Tashman, Hale Hamilton, Cecil Cunningham and Virginia Sale.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Those We Love (1932) is overwhelmingly divisive. With an audience rating of 6/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Mary Astor, Kenneth MacKenna, Lilyan Tashman or the visual majesty of its technical execution, Those We Love is a significant contribution to the cinema of 1932. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
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MGM PlusAnalyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, Those We Love stands as a challenging project for the creators. It remains an essential piece of the 1932 cinematic year.
Those We Love has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
Those We Love is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
Those We Love is currently available for streaming on MGM+ Amazon Channel. You can also check for it on platforms like MGM+ Amazon Channel, MGM Plus Roku Premium Channel, MGM Plus depending on your region.
Director Robert Florey's 1932 melodrama about a woman who suspects her husband of infidelity stars Mary Astor, Kenneth MacKenna, Tommy Conlon, Lilyan Tashman, Hale Hamilton, Cecil Cunningham and Virginia Sale.