Is Those Who Love Worth Watching?
Answer: Maybe not, Those Who Love is likely a skip if you enjoy Romance movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Those Who Love is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Romance, Drama genre.
Answer: Maybe not, Those Who Love is likely a skip if you enjoy Romance movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 1929, Those Who Love enters the Romance genre with a narrative focused on 'An author marries an already-married prostitute because she resembles his dead fiancée. Under the direction of H. Manning Haynes, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Adele Blanche. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Those Who Love offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, Those Who Love resonates with current cultural themes in the Romance space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, Those Who Love is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of Those Who Love centers on a unique premise within the Romance landscape. 'An author marries an already-married prostitute because she resembles his dead fiancée.' (British Film Institute) The second act serves as a major turning point, leading to a climax that fans of 1929 cinema will find fairly predictable.
The ending of Those Who Love has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Those Who Love sequel or a wider cinematic universe are already gaining traction.
Final verdict for Those Who Love (1929): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of Romance, Drama cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Those Who Love stands as a challenging project for the creators. It remains an essential piece of the 1929 cinematic year.
Those Who Love is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Those Who Love may not be worth watching unless you are a die-hard fan.
Those Who Love may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Those Who Love is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Those Who Love may not be worth watching unless you are a die-hard fan.
Those Who Love may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Those Who Love is a Romance, Drama movie that follows: 'An author marries an already-married prostitute because she resembles his dead fiancée.' (British Film Institute)...
Those Who Love is classified as Romance, Drama. We recommend checking the official age rating before watching with children.
Those Who Love is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
'An author marries an already-married prostitute because she resembles his dead fiancée.' (British Film Institute)
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