Is Three Resurrected Drunkards Worth Watching?
Answer: Maybe not, Three Resurrected Drunkards is likely a skip if you enjoy Drama movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Three Resurrected Drunkards is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.4/10, it has delivered a mixed experience for fans of the Drama, Comedy genre.
Answer: Maybe not, Three Resurrected Drunkards is likely a skip if you enjoy Drama movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1968, Three Resurrected Drunkards emerges as a significant entry in the Drama, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. Unlike standard genre fare, Three Resurrected Drunkards attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Nagisa Ōshima, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Three Resurrected Drunkards features a noteworthy lineup led by Kazuhiko Kato. Supported by the likes of Osamu Kitayama and Norihiko Hashida, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Kazuhiko Kato, Osamu Kitayama, Norihiko Hashida manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1968 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Comedy space.
From a technical perspective, Three Resurrected Drunkards is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Three Resurrected Drunkards follows a sophisticated brisk pace. Over its 80 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Three Resurrected Drunkards resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.4/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Three Resurrected Drunkards is more than just its synopsis. It is an inquiry into the complexity of relationships. Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Three Resurrected Drunkards (1968) is overwhelmingly divisive. With an audience rating of 5.4/10 and strong performance metrics in the Drama, Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Kazuhiko Kato, Osamu Kitayama, Norihiko Hashida or the visual majesty of its technical execution, Three Resurrected Drunkards is a significant contribution to the cinema of 1968. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Criterion ChannelAnalyzing the audience sentiment, IMDb rating of 5.4/10, and global collection metrics, Three Resurrected Drunkards stands as a challenging project for the creators. It remains an essential piece of the 1968 cinematic year.
Three Resurrected Drunkards has received mixed reviews with a 5.4/10 rating, making it a moderate success with the audience.
Three Resurrected Drunkards is a mixed bag. It might be worth watching if you're a fan of Drama, Comedy movies, but read reviews first.
Three Resurrected Drunkards is currently available for streaming on Criterion Channel. You can also check for it on platforms like Criterion Channel depending on your region.
Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.