Three Women (1952) movie backdrop
Three Women (1952) movie poster
⭐ Rating0/10
🎯 Verdict FLOP
👍 Good
  • Engaging Storyline
  • Strong Performances
👎 Bad
  • Pacing issues in mid
  • Predictable ending
1952104 minComedy
Audience VerdictFLOP

Three Women

Three Women Movie Hit or Flop?

FLOP

Verdict:Three Women is a confirmed FLOP based on our analysis of audience ratings and box office momentum.

With a rating of 0.0/10, it has delivered a mixed experience for fans of the Comedy genre.

Is Three Women Worth Watching?

Answer: Maybe not, Three Women is likely a skip if you enjoy Comedy movies.

It features a runtime of 104 minutes and offers a standard storyline that appeals to general audiences.

0.00 votes
104Minutes
1952Release Year
Visual Story
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Three Women Review

Last updated: January 12, 2026

🎬 Detailed Premise & Narrative Foundations

Released in the dynamic cinematic landscape of 1952, Three Women emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. Unlike standard genre fare, Three Women attempts to deconstruct traditional tropes, offering a conventional take on its central themes.

The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of André Michel, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.

🎭 Cast Performances: A Masterclass in Character Study

The success of any Comedy is often anchored by its ensemble, and Three Women features a noteworthy lineup led by Marcelle Arnold. Supported by the likes of Michel Bouquet and Betty Daussmond, the performances bring a palpable realism to the scripted words.

Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Marcelle Arnold, Michel Bouquet, Betty Daussmond manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1952 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy space.

🎥 Directorial Vision & Technical Craftsmanship

From a technical perspective, Three Women is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.

Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.

📜 Narrative Pacing & Structural Integrity

The structure of Three Women follows a sophisticated brisk pace. Over its 104 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.

Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.

🌍 Cultural Impact & Global Resonance

Beyond its immediate entertainment value, Three Women resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.

This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.

📖 Plot Breakdown & Philosophical Subtext

Analyzing the plot deeper, Three Women is more than just its synopsis. It is an inquiry into the boundaries of human experience. The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.

💡 Final Verdict: Is it Worth Watching?

In summary, our editorial assessment of Three Women (1952) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Comedy categories, it stands as a highly recommended experience for genre enthusiasts.

Whether you choose to experience it for the stellar performances from Marcelle Arnold, Michel Bouquet, Betty Daussmond or the visual majesty of its technical execution, Three Women is a significant contribution to the cinema of 1952. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.

Where to Watch Three Women Online?

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Parents Guide & Age Rating

Not Rated
Three Women has not been officially rated yet.

Final Verdict

Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Three Women stands as a challenging project for the creators. It remains an essential piece of the 1952 cinematic year.

Frequently Asked Questions

Is Three Women movie hit or flop?

Three Women is considered a flop based on audience ratings of 0/10 and lower collections.

Is Three Women worth watching?

Based on the low rating of 0/10, Three Women may not be worth watching unless you are a die-hard fan.

Where can I watch Three Women online?

Three Women may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.

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Three Women
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Synopsis

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.