To Die For
Performance & Direction: To Die For Review
Last updated: February 17, 2026
Quick Verdict: Hit or Flop?
Is To Die For (1995) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.6/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and To Die For features a noteworthy lineup led by Nicole Kidman . Supported by the likes of Matt Dillon and Joaquin Phoenix , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: To Die For
Quick Plot Summary: Released in 1995, To Die For is a Drama, Comedy, Crime film directed by Gus Van Sant. The narrative explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict involving Nicole Kidman.
Story Breakdown
This character-driven narrative explores the internal and external conflicts that define the human experience. Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary. The screenplay takes time to develop Nicole Kidman's journey, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Narrative Structure
- Opening Hook: We meet the main character in their ordinary world, establishing the emotional baseline before the inciting incident disrupts their life.
- Character Arc: The main character shows growth throughout the story, though some supporting characters could have been more fully realized. Nicole Kidman's arc is present but occasionally predictable.
- Climax & Resolution: The emotional climax brings character arcs to their natural conclusion, providing catharsis while staying true to the story's core themes.
Ending Explained: To Die For
Ending Breakdown: Directed by Gus Van Sant, To Die For concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation involving Nicole Kidman, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of To Die For reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
To Die For Real vs. Reel: Is it Based on a True Story?
To Die For incorporates elements from real criminal cases. As a drama, comedy, crime film directed by Gus Van Sant, it navigates the space between factual accuracy and narrative engagement for Nicole Kidman's character.
Historical Context
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: To Die For adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Who Should Watch To Die For?
Worth Watching If You:
- Enjoy Drama films and don't mind familiar tropes
- Are a fan of Nicole Kidman or the director
- Want a character-driven story with emotional moments
Box Office Collection: To Die For
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $20.0M |
| Worldwide Gross | $21.3M |
| Trade Verdict | CLEAN HIT |
To Die For Budget
The estimated production budget for To Die For is $20.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: To Die For
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Fandango At HomeTo Die For Parents Guide & Age Rating
1995 AdvisoryWondering about To Die For age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of To Die For is 106 minutes (1h 46m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.6/10, and global performance metrics, To Die For is classified as a HIT. It remains an essential part of the 1995 cinematic calendar.
Frequently Asked Questions
Is To Die For worth watching?
To Die For is definitely worth watching if you enjoy Drama movies. It has a verified rating of 6.6/10 and stands as a HIT in our box office analysis.
Where can I find To Die For parents guide and age rating?
The official parents guide for To Die For identifies it as R. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of To Die For?
The total duration of To Die For is 106 minutes, which is approximately 1h 46m long.
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Critic Reviews for To Die For
Nicole Kidman stars as a local television personality who will stop at nothing to get what she wants, but it is Gus Van Sant's direction that really shines. Kidman plays Suzanne, a none-to-bright woman who decides she wants to be a giant media personality. She marries Larry (Matt Dillon), a restaurateur, and settles for doing the weather at a dead-end television station. Suzanne sees that Larry is not behind her career, and uses a trio of teens to kill him. She begins her plan by befriending them while shooting a documentary, then begins sleeping with James (Joaquin Phoenix), who in turn conspires with Russell (Casey Affleck) and Lydia (Alison Folland). Most of the film is told in flashback by the killers and families of Suzanne and Larry, and Suzanne herself. "To Die For" is a strange film. Acting wise, the professional cast is saddled with one-note characters. While top-heavy with supporting players, Suzanne never really changes much, or offers enough menace to feel anything for her. Dillon fades into the background as Larry, trying too hard to make him normal. Buck Henry's screenplay is full of fits and starts, never gathering enough darkness to become a successful dark comedy, nor enough edge to become a successful satire. This is a shame, since celebrity due to murderous acts is such a part of our lives today. The film never takes that final step and calls the media on the carpet, instead trying to get the viewer caught up in the mechanics of Suzanne and Jim's relationship, and Suzanne's progressively strange certainty that she will be famous. Gus Van Sant's direction is absolutely fantastic. The interior of Larry and Suzanne's home is hysterical. His camera always finds the perfect tone of a scene, even if the scene is not especially well-written. I am one of the few who did not think much of "Drugstore Cowboy," although I do appreciate many of the films Van Sant has done since. "To Die For" gets the viewer geared up for a no-punches-pulled look at popular culture, then throws in the towel before the bell even rings. I cannot recommend it, despite the fine direction, the rest is a disappointment.
Great performance from Nicole Kidman but this dark comedy didn't always do it for me, though it also could be I'm not the biggest fan of these mockumentary-like style films where actors (in character) talk to the camera. Still well worth watching for a fine cast. **3.75/5**
"Suzanne" (Nicole Kidman) is the epitome of ambition as she convinces local cable boss "Ed" (Wayne Knight) that she'll do just about anything to get her foot in the door - even read out the weather forecast! She's not exactly bright, but she knows exactly how to press the buttons to get her ahead. Snag is she's married to "Larry" (Matt Dillon) and he wants a more traditional family unit with, ideally, kids at some point. To that she merely points out that he ought to have just married a baby sitter! She decides that a change is now necessary and to that end recruits the services of the gullible "Jimmy" (Joaquin Phoenix) and his pal "Russel" (Casey Affleck) to eliminate her problem. Thing is, the former lad actually falls for her big time and though compliant both he and his other friend "Lydia" (Alison Folland) might not prove too reliable when the police come a-knocking. She's going to have take a few risks and keep her wits about her, if her dream of daytime television stardom is ever to reach fruition... This starts off strongly depicting the story via a series of interviews with those closest to her, and they serve quite effectively as pillars supporting the deviousness of the plot. Thing is, though, given we know all along who's done what to whom, and why - there's no jeopardy and I missed that. Kidman does fine, but the menacing aspects of the role really do rather peter out half way through and the comedy is more miss than hit. Folland probably delivers best cutting a ditzy and lonely figure as the film develops and it's quite a potent indictment of ambition and manipulation from time to time too, but I just couldn't quite take her seriously. I did really quite like the solution, though! My kind of denouement.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










