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197695 minHorror

To the Devil a Daughter

Is To the Devil a Daughter a Hit or Flop?

FLOP

Is To the Devil a Daughter worth watching? With a rating of 5.423/10, this Horror film is a mixed-bag for fans of the genre. Read on for our detailed analysis and user reviews.

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To the Devil a Daughter Synopsis

An American occult novelist battles to save the soul of a young girl from a group of Satanists, led by an excommunicated priest, who plan on using her as the representative of the Devil on Earth.

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Top Cast

Richard Widmark
Richard WidmarkJohn Verney
Christopher Lee
Christopher LeeFather Michael
Nastassja Kinski
Nastassja KinskiCatherine
Honor Blackman
Honor BlackmanAnna
Denholm Elliott
Denholm ElliottHenry Beddows
Michael Goodliffe
Michael GoodliffeGeorge de Grass
Eva Maria Meineke
Eva Maria MeinekeEveline de Grass
Anthony Valentine
Anthony ValentineDavid
Derek Francis
Derek FrancisBishop
Izabella Telezynska
Izabella TelezynskaMargaret

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Frequently Asked Questions

Is To the Devil a Daughter worth watching?

To the Devil a Daughter has received mixed reviews with a 5.423/10 rating. It might be worth watching if you're a fan of Horror movies.

Is To the Devil a Daughter hit or flop?

To the Devil a Daughter has received average ratings (5.423/10), performing moderately with audiences.

What genre is To the Devil a Daughter?

To the Devil a Daughter is a Horror movie that An American occult novelist battles to save the soul of a young girl from a group of Satanists, led by an excommunicated priest, who plan on using her...

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Critic Reviews

WuchakApr 10, 2023
★ 4

**_Shocking bits and nudity can't make up for a flat story with a tepid close_** In London, an occult novelist (Richard Widmark) is asked to protect a man's daughter, a young nun (Nastassja Kinski), from a cult of satanists led by a towering man who seems to possess supernatural powers (Christopher Lee). They require her for some diabolical ritual. Honor Blackman has a peripheral role. The story of "To the Devil a Daughter" (1976) is loosely based on Dennis Wheatley's 1953 novel. It was Hammer's answer to American horror hits like "The Exorcist" (1973) and "Rosemary's Baby" (1968), but Wheatley was furious with the numerous changes and called the film "obscene." It's a slow-burn occult-oriented mystery with good locations and a notable cast. Producers seemed to have more money to work with in this regard than most Hammer films. Speaking of Hammer, "To the Devil a Daughter" doesn't FEEL like a Hammer picture from the '60s and early '70s, which is a nice (and unsuspected) change, I guess. For those who care, Kinski is shown completely naked from the front near the end, which was/is controversial since she was still 14 years-old during shooting, almost 15. Unfortunately Lee is also show in the nude, albeit from behind. One thing I never cared to see in life was Christopher Lee's butt (actually, it was his stunt double, Eddie Powell). There's a fairly shocking and obscene "devil baby" sequence. The creators obviously wanted to take "Rosemary's Baby" to the next level. In any case, they did a good job with the infant F/X, at least for the mid-70s. While the mystery is sometimes interesting the story is flat and the last act somehow doesn't work. Yes, they throw in some bizarre things — the aforementioned "devil baby" scene and a wild satanist orgy (which is more silly than shocking) — but I was left feeling disappointed. This was Hammer's penultimate film and their final horror production. Surprisingly, "To the Devil a Daughter" was a hit and made lots of money, at least in Europe, but Hammer Studios had debts to pay and the movie's success couldn't save 'em. At the end of the day, it's okay at best, but not as good as flicks like "Bay Coven" (1987), "The Crimson Cult" (1968), "The Devil Rides Out" (1968) and "Race With the Devil" (1975). The DVD includes an informative and entertaining 24-minute "making-of" documentary that discusses the film and the demise of Hammer Studios called "To the Devil... The Death of Hammer." It features interviews with Lee, Blackman, the director, the producer and many more. By all accounts Widmark was arrogant and a real bastage to work with. The Hollywood "star" frequently insulted the English filmmakers (calling the picture a "Micky Mouse production"), walking off the set, arguing, brawling and kicking over expensive equipment (!). Every aspect of the movie is addressed, including changes from the novel, Wheatley's objections, the ending's failure, etc. Needless to say, the documentary is way more compelling than the film itself and is available on Youtube for those interested. The film runs 1 hour, 35 minutes, and was shot mostly in the greater London area of England, including Elstree Studios, with a bit in Bavaria, Germany. GRADE: C-