Verdict:Twitz from Pluto: Graff, Jackass and TV Casualty is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Horror, Science Fiction, Drama, Crime, Action, Comedy genre.
Answer: Maybe not, Twitz from Pluto: Graff, Jackass and TV Casualty is likely a skip if you enjoy Horror movies.
It features a runtime of 52 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 2022, Twitz from Pluto: Graff, Jackass and TV Casualty emerges as a significant entry in the Horror, Science Fiction, Drama, Crime, Action, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of The story of two teenage extraterrestrial refugees from the planet Pluto, who escape to Earth after their planet is destroyed by the US government, as it was deemed “insignificant. Unlike standard genre fare, Twitz from Pluto: Graff, Jackass and TV Casualty attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Mikaela Bellamy, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Horror elements serve the larger narrative arc rather than just providing spectacle.
The success of any Horror is often anchored by its ensemble, and Twitz from Pluto: Graff, Jackass and TV Casualty features a noteworthy lineup led by Mikaela Bellamy. Supported by the likes of TJ Greene and Thomas Peikert, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Mikaela Bellamy, TJ Greene, Thomas Peikert manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2022 cinema, these performances stand as a testament to the evolving standards of acting within the Horror, Science Fiction, Drama, Crime, Action, Comedy space.
From a technical perspective, Twitz from Pluto: Graff, Jackass and TV Casualty is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Twitz from Pluto: Graff, Jackass and TV Casualty follows a sophisticated brisk pace. Over its 52 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Twitz from Pluto: Graff, Jackass and TV Casualty resonates with contemporary social and cultural themes prevalent in the Horror landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Twitz from Pluto: Graff, Jackass and TV Casualty is more than just its synopsis. It is an inquiry into the boundaries of human experience. The story of two teenage extraterrestrial refugees from the planet Pluto, who escape to Earth after their planet is destroyed by the US government, as it was deemed “insignificant.” For many years prior, tensions between the Plutonians and the Earthlings had seen a steady incline, as Pluto held camps where Earthlings were experimented on and tortured. The two aliens make their crash landing, undertake human form and undergo the aliases “Hugh Jainus” and “E. Rection”. In an effort to wage revenge on the nation, with their brainwashed sidekick Potator under their wing, the trio hijack television stations worldwide and broadcast mind-numbingly stupid and ridiculous, yet insane and often violent programs to dumb down and distract the nation’s citizens from their devious plans. The tube tells the story...
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Twitz from Pluto: Graff, Jackass and TV Casualty (2022) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Horror, Science Fiction, Drama, Crime, Action, Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Mikaela Bellamy, TJ Greene, Thomas Peikert or the visual majesty of its technical execution, Twitz from Pluto: Graff, Jackass and TV Casualty is a significant contribution to the cinema of 2022. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $500 |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Twitz from Pluto: Graff, Jackass and TV Casualty is $500. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Twitz from Pluto: Graff, Jackass and TV Casualty stands as a challenging project for the creators. It remains an essential piece of the 2022 cinematic year.
Twitz from Pluto: Graff, Jackass and TV Casualty is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Twitz from Pluto: Graff, Jackass and TV Casualty may not be worth watching unless you are a die-hard fan.
Twitz from Pluto: Graff, Jackass and TV Casualty may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The story of two teenage extraterrestrial refugees from the planet Pluto, who escape to Earth after their planet is destroyed by the US government, as it was deemed “insignificant.” For many years prior, tensions between the Plutonians and the Earthlings had seen a steady incline, as Pluto held camps where Earthlings were experimented on and tortured. The two aliens make their crash landing, undertake human form and undergo the aliases “Hugh Jainus” and “E. Rection”. In an effort to wage revenge on the nation, with their brainwashed sidekick Potator under their wing, the trio hijack television stations worldwide and broadcast mind-numbingly stupid and ridiculous, yet insane and often violent programs to dumb down and distract the nation’s citizens from their devious plans. The tube tells the story...