Performance & Direction: Uneasy Terms Review
Last updated: February 28, 2026
Quick Verdict: Hit or Flop?
Is Uneasy Terms (1948) worth watching? According to our cinematic analysis, the film stands as a FLOP with a verified audience rating of 3.8/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Thriller.
Cast Performances: A Masterclass
The success of any Thriller is often anchored by its ensemble, and Uneasy Terms features a noteworthy lineup led by Michael Rennie . Supported by the likes of Moira Lister and Faith Brook , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Uneasy Terms
Quick Plot Summary: Released in 1948, Uneasy Terms is a Thriller film directed by Vernon Sewell. The narrative builds tension through unpredictable twists and keeps audiences guessing until the final reveal. This summary provides a scannable look at the movie's central conflict involving Michael Rennie.
Ending Explained: Uneasy Terms
Ending Breakdown: Directed by Vernon Sewell, Uneasy Terms attempts to tie together its various plot elements. The finale presents its approach to thriller resolution.
The final reveal recontextualizes earlier scenes involving Michael Rennie, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the thriller themes established throughout the runtime.
The final moments of Uneasy Terms reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Uneasy Terms?
Consider Watching If:
- You're a completist for Thriller films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Uneasy Terms
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Uneasy Terms Parents Guide & Age Rating
1948 AdvisoryWondering about Uneasy Terms age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Uneasy Terms is 91 minutes (1h 31m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 3.8/10, and global performance metrics, Uneasy Terms is classified as a FLOP. It remains an essential part of the 1948 cinematic calendar.
Frequently Asked Questions
Is Uneasy Terms worth watching?
Uneasy Terms is definitely worth watching if you enjoy Thriller movies. It has a verified rating of 3.8/10 and stands as a FLOP in our box office analysis.
Where can I find Uneasy Terms parents guide and age rating?
The official parents guide for Uneasy Terms identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Uneasy Terms?
The total duration of Uneasy Terms is 91 minutes, which is approximately 1h 31m long.
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Critic Reviews for Uneasy Terms
"Slim Callaghan" (Michael Rennie) is a PI with an habit of solving crimes using such unconventional methods as to annoy the police almost as much as he does the criminals. When a young woman drugs his Scotch at a night club, just as a would-be client tries to call him; then that same gent shakes off his mortal coil very shortly afterwards, his interest is well and truly piqued. Despite the protestations of one of the deceased man's three daughters, he heads to their home to investigate. Moira Lister, Faith Brook and Patricia Goddard play the daughters trying to manipulate the old man's will and one (or more) might be in cahoots with the dastardly Nigel Patrick ("Lucien"). The story is just too busy - too many threads that are only superficially developed and Nigel Patrick doesn't really quite fit his billing either. At times the narrative made me think I was listening to a radio play with pictures as there is a great deal of dialogue, and very little action until quite near the end when some of the duplicitous undercurrents come to the surface. The story is sound enough, but the film is just too stodgily delivered to remain engaging.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.








