Vertigo
Performance & Direction: Vertigo Review
Last updated: February 13, 2026
Quick Verdict: Hit or Flop?
Is Vertigo (1958) worth watching? According to our cinematic analysis, the film stands as a SUPER HIT with a verified audience rating of 8.1/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Mystery.
Cast Performances: A Masterclass
The success of any Mystery is often anchored by its ensemble, and Vertigo features a noteworthy lineup led by James Stewart . Supported by the likes of Kim Novak and Barbara Bel Geddes , the performances bring a palpable realism to the scripted words.
Performance Analysis: The lead actors exhibit a remarkable range, navigating the emotional peaks and valleys of their respective characters with a precision that makes every motivation feel earned.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Vertigo
Quick Plot Summary: Vertigo is a Mystery, Romance, Thriller film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Story Breakdown
The film presents its narrative with careful attention to pacing and character development. A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Narrative Structure
- Opening Hook: The title establishes its world and central conflict efficiently in the opening act.
- Character Arc: The protagonist undergoes a meaningful transformation, with their journey feeling earned and emotionally resonant. Supporting characters are well-developed, each serving a purpose in the narrative.
- Climax & Resolution: The climax brings together the narrative threads, providing resolution while staying true to the established tone.
Thematic Depth
The film operates on multiple levels, using its genre framework to explore deeper themes about human nature, society, and the choices that define us.
What Works & What Doesn't
✅ Strengths
- Exceptional storytelling that balances entertainment with substance
- Strong performances that bring depth to the characters
- Technical excellence in cinematography, editing, and sound design
⚠️ Weaknesses
- Minor pacing issues that do not significantly detract from the experience
- A few underdeveloped subplots
Ending Explained: Vertigo
Ending Breakdown: Vertigo brings together its narrative threads in a way that feels both earned and emotionally resonant. The finale has been praised for its approach to mystery resolution.
The final reveal recontextualizes earlier scenes, creating a memorable conclusion that audiences have responded to positively.
Ending Analysis:
- Narrative Resolution: The story concludes with clear resolution of its central conflicts, leaving audiences satisfied.
- Character Arcs: Main characters complete meaningful transformations, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the mystery themes in a way that feels organic to the story.
The final moments of Vertigo demonstrate careful narrative planning, resulting in a conclusion that enhances the overall experience.
Who Should Watch Vertigo?
Highly Recommended For:
- Fans of Mystery cinema looking for quality storytelling
- Viewers who appreciate well-executed genre storytelling
- Anyone seeking a well-crafted film that delivers on its promises
Box Office Collection: Vertigo
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $2.5M |
| Worldwide Gross | $7.8M |
| Trade Verdict | CLEAN HIT |
Vertigo Budget
The estimated production budget for Vertigo is $2.5M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: Vertigo
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Where to Watch Vertigo Online?
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YouTubeVertigo Parents Guide & Age Rating
1958 AdvisoryWondering about Vertigo age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Vertigo is 128 minutes (2h 8m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 8.1/10, and global performance metrics, Vertigo is classified as a SUPER HIT. It remains an essential part of the 1958 cinematic calendar.
Frequently Asked Questions
Is Vertigo worth watching?
Vertigo is definitely worth watching if you enjoy Mystery movies. It has a verified rating of 8.1/10 and stands as a SUPER HIT in our box office analysis.
Where can I find Vertigo parents guide and age rating?
The official parents guide for Vertigo identifies it as PG. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Vertigo?
The total duration of Vertigo is 128 minutes, which is approximately 2h 8m long.
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How Vertigo Compares & Where it Ranks
Critic Reviews for Vertigo
All I know, this film wasn’t so successful at first and this probably because the audience didn’t expect a film so dark and claustrophobic. Vertigo was so strange already from the beginning because of its surreal and nightmarish atmosphere. I bow to Hitchcock in his creativity in visualizing Jimmy Stewart’s acrophobia by implementing one of the oldest cinematography techniques, using zoom lens as it zooms in while the object moves away, emphasizing his terrified feeling and insecurity whenever he’s at a particular height due to a chronic vertigo he suffers. As always, the film director’s cameo appearance has always been fascinating since we know it’s his habit therefore we will usually let our eyes wander throughout the film, trying to spot him. In conclusion, this timeless thriller remains a classic gem despite the emergence of new modern films. The great visual effects also seem timeless when compared to digital effects. I hope my review doesn’t give you vertigo = )
I will never understand the universal adoration for Vertigo. Blindly inherited wisdom is the only explanation. How anyone could prefer this to North by Northwest or Rear Window is beyond me. An exceptionally made, exceptionally boring movie
A tense, dizzying thriller from the Master. Plot in a nutshell: A retired detective suffering from acrophobia takes the case of an old college chum's wife, who may be possessed by the spirit of her great-grandmother who committed suicide many years previous. But of course, a much darker, and more down-to-earth, secret lies beneath the surface. Comments: James Stewart is the perfect anti-hero in this: clever and brave, but also disturbed, unhinged, and at times possessive. He does a stellar job with a difficult role. In the supporting role of Stewart's faithful friend "Midge" is Barbara Bel Geddes, and she does a delightful job. According to one source I've read, after Vertigo flopped upon release, Hitchcock blamed Stewart, claiming he (Stewart) was too old and people no longer wanted to see him, hence the film's lack of success. When Hitchcock went on to do North By Northwest, Stewart reportedly begged Hitchcock for the lead role, but Hitchcock refused, giving the lead to Cary Grant, who was actually four years older than Stewart. But according to a biography of Cary Grant written by Pamela Trescott, the reason Hitchcock wanted Grant instead was simply because they worked well together and had wanted to do another collaboration after the success of To Catch a Thief. In short, that the lead role for North By Northwest had been intended for Cary Grant, and no one else, right from the beginning. All that aside, Vertigo has established a high reputation as a masterpiece of film, and rightly so. It's also beautifully photographed, and the entire film has a soft, haunting, dreamy quality to it that's utterly captivating.
Not one of my favorites from Hitchcock, and certainly dower, but still visually striking and two amazing performances from James Stewart and Kim Novak. This is only the second time seeing this, guessing the last time was maybe 10 years ago or so, not entirely sure when I'll revisit it. **3.75/5**
Perhaps it’s due to my dislike for the overrated “North By Northwest”, but as of now this is my favourite Hitchcock.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









