Is Vím, že jsi vrah... Worth Watching?
Answer: Maybe not, Vím, že jsi vrah... is likely a skip if you enjoy Crime movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Vím, že jsi vrah... is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 3.8/10, it has delivered a mixed experience for fans of the Crime genre.
Answer: Maybe not, Vím, že jsi vrah... is likely a skip if you enjoy Crime movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1972, Vím, že jsi vrah... emerges as a significant entry in the Crime domain. The narrative core of the film focuses on a sophisticated exploration of Dana Martinová, a young woman of loose morals, dies at the hands of a mentally unstable young man, Pavel Zach. Unlike standard genre fare, Vím, že jsi vrah... attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Petr Schulhoff, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Crime elements serve the larger narrative arc rather than just providing spectacle.
The success of any Crime is often anchored by its ensemble, and Vím, že jsi vrah... features a noteworthy lineup led by Eduard Cupák. Supported by the likes of Jaroslav Moučka and Marie Málková, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Eduard Cupák, Jaroslav Moučka, Marie Málková manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1972 cinema, these performances stand as a testament to the evolving standards of acting within the Crime space.
From a technical perspective, Vím, že jsi vrah... is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Vím, že jsi vrah... follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Vím, že jsi vrah... resonates with contemporary social and cultural themes prevalent in the Crime landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 3.8/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Vím, že jsi vrah... is more than just its synopsis. It is an inquiry into the boundaries of human experience. Dana Martinová, a young woman of loose morals, dies at the hands of a mentally unstable young man, Pavel Zach. In a fit of jealousy, he could not restrain himself and killed the girl with a blow to the head. The police find the corpse thanks to Dana's friend Eva Simonova. And it's Eva who becomes Pavel's second victim. The young man, afraid of being found out, attacks the girl and drowns her in the bathtub. Lieutenant Zeman, a criminal investigator, is put in charge of the double murder as his first case, assisted by his more experienced colleague Suchánek. However, the investigation initially goes nowhere. While Pavel's father tries to have his mentally ill son committed to a psychiatric hospital, Pavel commits another murder out of fear. Neither he nor the investigators know that Pavel has been a mere tool in the hands of someone else for some time...
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Vím, že jsi vrah... (1972) is overwhelmingly negative. With an audience rating of 3.8/10 and strong performance metrics in the Crime categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Eduard Cupák, Jaroslav Moučka, Marie Málková or the visual majesty of its technical execution, Vím, že jsi vrah... is a significant contribution to the cinema of 1972. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Lepsi TV
OneplayAnalyzing the audience sentiment, IMDb rating of 3.8/10, and global collection metrics, Vím, že jsi vrah... stands as a challenging project for the creators. It remains an essential piece of the 1972 cinematic year.
Vím, že jsi vrah... is considered a flop based on audience ratings of 3.8/10 and lower collections.
Based on the low rating of 3.8/10, Vím, že jsi vrah... may not be worth watching unless you are a die-hard fan.
Vím, že jsi vrah... is currently available for streaming on Lepsi TV. You can also check for it on platforms like Lepsi TV, Oneplay depending on your region.
Dana Martinová, a young woman of loose morals, dies at the hands of a mentally unstable young man, Pavel Zach. In a fit of jealousy, he could not restrain himself and killed the girl with a blow to the head. The police find the corpse thanks to Dana's friend Eva Simonova. And it's Eva who becomes Pavel's second victim. The young man, afraid of being found out, attacks the girl and drowns her in the bathtub. Lieutenant Zeman, a criminal investigator, is put in charge of the double murder as his first case, assisted by his more experienced colleague Suchánek. However, the investigation initially goes nowhere. While Pavel's father tries to have his mentally ill son committed to a psychiatric hospital, Pavel commits another murder out of fear. Neither he nor the investigators know that Pavel has been a mere tool in the hands of someone else for some time...