Is Všude žijí lidé Worth Watching?
Answer: Maybe not, Všude žijí lidé is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Všude žijí lidé is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Všude žijí lidé is likely a skip if you enjoy Drama movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1960, Všude žijí lidé emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of Even if a person grumbles about difficulties, he should realize that he will find a place where he did not want to go at all. Unlike standard genre fare, Všude žijí lidé attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Štěpán Skalský, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Všude žijí lidé features a noteworthy lineup led by Zdeněk Štěpánek. Supported by the likes of Ivo Palec and Jana Hlaváčová, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Zdeněk Štěpánek, Ivo Palec, Jana Hlaváčová manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1960 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Všude žijí lidé is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Všude žijí lidé follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Všude žijí lidé resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Všude žijí lidé is more than just its synopsis. It is an inquiry into the complexity of relationships. Even if a person grumbles about difficulties, he should realize that he will find a place where he did not want to go at all. Such an exemplary realization is also reached by a budding doctor who was assigned a remote border village as his first posting - his fiancé did not want to go to such a backwater at all. But the example of the local doctor, who is about to retire, convinces him that a good doctor is needed everywhere.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Všude žijí lidé (1960) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Zdeněk Štěpánek, Ivo Palec, Jana Hlaváčová or the visual majesty of its technical execution, Všude žijí lidé is a significant contribution to the cinema of 1960. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Lepsi TVAnalyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Všude žijí lidé stands as a challenging project for the creators. It remains an essential piece of the 1960 cinematic year.
Všude žijí lidé is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Všude žijí lidé may not be worth watching unless you are a die-hard fan.
Všude žijí lidé is currently available for streaming on Lepsi TV. You can also check for it on platforms like Lepsi TV depending on your region.
Even if a person grumbles about difficulties, he should realize that he will find a place where he did not want to go at all. Such an exemplary realization is also reached by a budding doctor who was assigned a remote border village as his first posting - his fiancé did not want to go to such a backwater at all. But the example of the local doctor, who is about to retire, convinces him that a good doctor is needed everywhere.