Is We're Not Dressing Worth Watching?
Answer: Yes, We're Not Dressing is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 74 minutes and offers a standard storyline that appeals to general audiences.

Verdict:We're Not Dressing is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.7/10, it has delivered a mixed experience for fans of the Comedy, Music genre.
Answer: Yes, We're Not Dressing is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 74 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 10, 2026
Released in 1934, We're Not Dressing enters the Comedy genre with a narrative focused on Beautiful high society type Doris Worthington is entertaining guests on her yacht in the Pacific when it hits a reef and sinks. Under the direction of Norman Taurog, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Bing Crosby, Carole Lombard, George Burns. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, We're Not Dressing offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, We're Not Dressing resonates with current cultural themes in the Comedy space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of January 2026, We're Not Dressing is available in theaters worldwide. For streaming audiences in the US, UK, and India, look for availability on major platforms roughly 45-60 days after the theatrical release. Don't miss the high-definition experience provided by premium large format (PLF) screenings.
The plot of We're Not Dressing centers on a unique premise within the Comedy landscape. Beautiful high society type Doris Worthington is entertaining guests on her yacht in the Pacific when it hits a reef and sinks. She makes her way to an island with the help of singing sailor Stephen Jones. Her friend Edith, Uncle Hubert, and Princes Michael and Alexander make it to the same island but all prove to be useless in the art of survival. The sailor is the only one with the practical knowhow to survive but Doris and the others snub his leadership offer. That is until he starts a clam bake and wafts the fumes in their starving faces. The group gradually gives into his leadership, the only question now is if Doris will give into his charms. The second act serves as a major turning point, leading to a climax that fans of 1934 cinema will find fairly predictable.
The ending of We're Not Dressing has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a We're Not Dressing sequel or a wider cinematic universe are already gaining traction.
Final verdict for We're Not Dressing (1934): with an audience rating of 6.7/10, the reception has been generally positive. It is a must-watch for fans of Comedy, Music cinema who appreciate attention to detail.









Analyzing the audience sentiment, IMDb rating of 6.7/10, and global collection metrics, We're Not Dressing stands as a successful venture for the creators. It remains an essential piece of the 1934 cinematic year.
We're Not Dressing has received mixed reviews with a 6.7/10 rating, making it a moderate success with the audience.
We're Not Dressing is a mixed bag. It might be worth watching if you're a fan of Comedy, Music movies, but read reviews first.
We're Not Dressing is a Comedy, Music movie that Beautiful high society type Doris Worthington is entertaining guests on her yacht in the Pacific when it hits a reef and sinks. She makes her way to a...
I love older movies, but have hesitated on seeing my boxed sets of Bing Crosby's films (and for the time being have actually stopped for a while) simply because of his caustic comments about David Bowie from when they sang the Christmas standard 'The Little Drummer Boy' together late in his life, and the supposedly awful way he treated his seven children (two of whom actually committed suicide). Still, this was enjoyable for non-Crosby elements, such as Carole Lombard and the antics of the fine comic duo of Gracie Allen and George Burns--not to mention a cool early appearance by Ray Milland.