Is We Are Shooting Worth Watching?
Answer: Maybe not, We Are Shooting is likely a skip if you enjoy movies.
It features a runtime of 26 minutes and offers a standard storyline that appeals to general audiences.

Verdict:We Are Shooting is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, We Are Shooting is likely a skip if you enjoy movies.
It features a runtime of 26 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 11, 2026
Released in 2017, We Are Shooting enters the Film genre with a narrative focused on Among the most stressful and thankless work done on a film set undertaken by the production intern. Under the direction of Raita Yabushita, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Sairi Ito. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, We Are Shooting offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, We Are Shooting resonates with current cultural themes in the Film space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of early 2026, We Are Shooting is available in theaters worldwide. For audiences in the US, UK, and India, digital rentals are typically available on platforms like Amazon Prime and Apple TV roughly 45-60 days after the theatrical release.
The plot of We Are Shooting centers on a unique premise within the undefined landscape. Among the most stressful and thankless work done on a film set undertaken by the production intern. It is no different for the plucky Reiko, who is reminded that “Moviemaking is a war zone!” -JAPAN CUTS: Festival of New Japanese Film The second act serves as a major turning point, leading to a climax that fans of 2017 cinema will find fairly predictable.
The ending of We Are Shooting has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a We Are Shooting sequel or a wider cinematic universe are already gaining traction.
Final verdict for We Are Shooting (2017): with an audience rating of 0/10, the reception has been negative. It is a recommended for fans of cinema who appreciate attention to detail.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, We Are Shooting stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
We Are Shooting is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, We Are Shooting may not be worth watching unless you are a die-hard fan.
We Are Shooting may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
We Are Shooting is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, We Are Shooting may not be worth watching unless you are a die-hard fan.
We Are Shooting may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
We Are Shooting is a movie that follows: Among the most stressful and thankless work done on a film set undertaken by the production intern. It is no different for the plucky Reiko, who is reminded that “Moviemaking is a war zone!” -JAPAN CU...
We Are Shooting is classified as . We recommend checking the official age rating before watching with children.
We Are Shooting is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Among the most stressful and thankless work done on a film set undertaken by the production intern. It is no different for the plucky Reiko, who is reminded that “Moviemaking is a war zone!” -JAPAN CUTS: Festival of New Japanese Film
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